Category Archive: Articles

Isolated guitar and bass tracks

August 15, 2012

| Author: Vintage & Rare

We love vintage musical instruments and we love vintage recordings.

The sixties and the seventies have been the most exciting decades in terms of sound research and recording technique. However, we love it when the technology which is surrounding us nowadays provides us with a whole new way to listen to our favorites.

Digital technology such as the moog file format and even popular video-games such as Guitar Hero allow us to tear a song a part and listen to one isolated track at the time. Whether the purpose of doing this is to learn thoroughly a song on guitar or find out what kind of mixing tricks have been used to create the sound that we love so much, what we discover is astonishing and inspiring. The musicians’ skills and technique don’t seem to be quite as important as the feeling they’ve put into it. We often find mistakes in the execution, mistakes that disappear or even add a magic feeling when we listen to the track in its whole.
Many isolated tracks are hosted on youtube. As Vintage & Rare we picked our top 5. Needless to mention that these tracks are taken from the history of rock.

So, whether you’re looking for inspiration or if you want to analyze how your guitar hero used to rip his instrument in the studio, or how he wanted his track mixed in your head, go ahead and check these links. But beware! It might sound bad from time to time..but hey!! Who cares about perfection? These people wrote a piece of history. And we all should be grateful.

Enjoy!


The Beatles – SUn King – Guitar track

The guitar bounces softly from the left to the right and back again creating endless space in our mind..


The Who – My Generation – Guitar Track

In this live recording from the 1970 Pete Townshend’s shredding guitar. You can hear a couple of the purely valve sounds we still love so much. Something punk rock bands are still trying to reproduce today. Pure rock ‘n’ roll.


Black Sabbath – Into the Void – Guitar Track

Pioneers of heavy metal..Double tracking fills up your ears and kicks ass. At 3:08 min Tony Iommi gives his best.


Nirvana – Kurt Cobain – You know you’re right – Guitar Track

Noisy and cool..this track reveals Kurt Cobain’s taste in guitar sound and songwriting. His typical alternating quiet verses with noisy choruses. And how he holds the feedback at 1:16. Amazing!


Rage Against The Machine – Killing in the name – Bass track

Tim Commerford grooves his way through the song..It’s hard not to imagine the drums pattern though..The rhythmic session in this song is a badass rolling stone.

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August 10, 2012

| Author: Vintage & Rare

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How to date vintage fender amps

June 13, 2012

| Author: Vintage & Rare

Dating Fender Amps

1951-1967 – Tube chart on the inside of the amp is stamped with two letters (A – Q):

The first letter designates the year and the second letter designates the month.

A 1951 JAN
B 1952 FEB
C 1953 MAR
D 1954 APR
E 1955 MAY
F 1956 JUN
G 1957 JUL
H 1958 AUG
I 1959 SEP
J 1960 OCT
K 1961 NOV
L 1962 DEC
M 1963
N 1964
O 1965
P 1966
Q 1967

Mid ’70s – early ’80s – Amplifiers are dated much the same way as Fender guitars from the same era:

B + 5 digits 1975 – 1976
A6 + 5 digits 1976
A7 + 5 digits 1977
A8 + 5 digits 1978
A9 + 5 digits 1979
F0 + 5 digits 1980
F1 + 5 digits 1981
F2 + 5 digits 1982 – 1983
F3 + 5 digits 1983 – 1984
F4 + 5 digits 1984 – 1985
F9 + 5 digits 1979 – 1980

Dating Contemporary Fender Amplifiers

All Fender amplifiers manufactured from 1990 – present include a date code printed on the quality assurance (QA) sticker on the back of the amp chassis, and are dated the by the first letter as the year and the second letter as the month.

A 1990 JAN
B 1991 FEB
C 1992 MAR
D 1993 APR
E 1994 MAY
F 1995 JUN
G 1996 JUL
H 1997 AUG
I 1998 SEP
J 1999 OCT
K 2000 NOV
L 2001 DEC
M 2002
N 2003
O 2004
P 2005

ALL other Fender Amplifiers can be dated by the components inside:

In almost every Fender amplifier there are several EIA (manufacturer) codes followed by a date code, typically found on the speaker(s), transformer(s), tubes, caps, and occasionally pots. The EIA code will consist of 3 numbers followed by a date code of 3 or 4 numbers designating the year and the week. To give an example, a typical Oxford speaker from the ’60s will look something like: 465-217. 465 designating the Oxford EIA code, 2 designating the year 1962, and 17 designating the 17th week of ’62. Take a look at this ’62 Fender Princeton Amp, and you’ll see that exact speaker, as well as the typical Schumacher transformers (EIA 606) used in Fender amplifiers.

Serial Number ranges from amplifiers made between the late ’40s – late ’70s:

Bandmaster 5C7, 5D7 (tweed)
0001 to 0800 – 1953
5000 to 5500 – 1954

Bandmaster 5E7 (tweed)
S00001 to S00350 – 1955
S00350 to S01200 – 1956
S01100 to S01800 – 1957
S01700 to S02500 – 1958
S02500 to S03700 – 1959

Bandmaster 5G7, 6G7 (brown)
00001 to 0100 -1960

Bandmaster 6G7, 6G7-A (blonde)
00001 to 02400 –  1960
02300 to 05100 –  1961
49000 to 58000 –  1962
58000 to 59200 –  1963

Bandmaster AA763, AB763 (blackface)
A00001 to A01700 – 1963
A01400 to A08000 – 1964
A07700 to A17000 – 1965
A16000 to A22000 – 1966
A20000 to A27000 – 1967

Bandmaster AB763, AC568 (silverface)
A26000 to A29000 – 1967
A28000 to A34000 – 1968
A33000 to A34000 – 1969
A34000 to A45000 – 1970-72

Bandmaster Reverb AA768, AA1069, AA270, TFL5005 (silverface)
A31000 to A35000 – 1968
A35000 to A45000 – 1969
A45000 to A49000 – 1970
A48000 to A54000 – 1971
A54000 to A59000 – 1972
A59000 to A66000 – 1973
A66000 to A77000 – 1974
A75000 to A78000 – 1975
A78000 to A80000 – 1976

Bassman 5B6 (tweed)
0001 to 0300 – 1951
0300 to 0400 – 1952
0400 to 0600 – 1953

Bassman 5D6, 5D6-A (tweed)
0600 to 0900 – 1954

Bassman 5E6, 5E6-A (tweed)
0100 to 0200 – 1955
BM00001 to BM00550 – 1955
BM00550 to BM01200 – 1956
BM01200 to BM01600 – 1957

Bassman 5F6, 5F6-A (tweed)
BM00001 to BM00400 – 1957
BM00400 to BM01500 – 1958
BM01500 to BM03100 – 1959
BM03100 to BM04600 – 1960

Bassman 6G6, 6G6-A, 6G6-B (blonde)
BP00100 to BP01100 – 1961
BP01100 to BP05000 – 1962
BP05000 to BP08400 – 1963
BP08400 to BP12000 – 1964

Bassman AA864, AA165, AB165 (blackface)
A00100 to A03800 – 1964
A03800 to A15000 – 1965
A15000 to A25000 – 1966
A24000 to A33000 – 1967

Bassman AB165, AC568, AA270, AA371 (silverface)
A32000 to A40000 – 1967
A39000 to A49000 – 1968
A48000 to A58000 – 1969
A58000 to A60000 – 1970

Bronco AB764 (silverface)
A19000 to A21000 – 1967
A20000 to A26000 – 1968
A25000 to A28000 – 1969
A28000 to A29000 – 1970
A29000 to A32000 – 1971
A32000 to A35000 – 1972
A33000 to A39000 – 1973
A39000 to A42000 – 1974
A42000 to A51000 – 1975

Champion 800 (tweed)
01 to 1000 – 1948-49

Champion 600 5B1 (tweed)
01 to 1300 – 1948-49
1300 to 1700 – 1950
1700 to 5000 – 1951-52
5000 to 5500 – 1953

Champ 5C1, 5D1 (tweed)
5500 to 6600 – 1953
6600 to 8000 – 1954
8000 to 9999 – 1955

Champ 5E1, 5F1 (tweed)
C00001 to C00800 – 1955
C00800 to C03100 – 1956
C03100 to C06000 – 1957
C06000 to C08800 – 1958
C08800 to C12500 – 1959
C12500 to C15500 – 1960
C15500 to C16800 – 1961
C17000 to C19000 – 1962
C19000 to C21000 – 1963
C21000 to C23000 – 1964

Champ AA764 (blackface)
A00100 to A02000 – 1964
A01900 to A05200 – 1965
A05200 to A12000 – 1966
A12000 to A12200 – 1967

Champ AA764 (silverface)
A12200 to A13900 – 1968
A13900 to A18000 – 1969
A18000 to A30500 – 1970
A30500 to A32000 – 1971
A32000 to A35000 – 1972
A32000 to A42000 – 1973
A42000 to A50000 – 1974
A50000 to A63000 – 1975
A63000 to A85000 – 1976

Concert 5G12, 6G12, 6G12-A (brown)
00001 to 02400 –  1960
02300 to 05100 –  1961
49000 to 58000 –  1962
58000 to 59200 –  1963

Concert AA763, AB763 (blackface)
A00001 to A01700 – 1963
A01400 to A08000 – 1964
A07700 to A08800 – 1965

Model 26 Deluxe (woodie)
100 to 1500 – 1946-48

Deluxe 5A3, 5B3 (tweed)
001 to 800 – 1948
800 to 1900 – 1949
1900 to 3000 – 1950
3000 to 5400 – 1951
5400 to 6800 – 1952
6800 to 7300 – 1953

Deluxe 5C3, 5D3 (tweed)
0001 to 1500 – 1953
1500 to 3600 – 1954
3600 to 5300 – 1955

Deluxe 5E3 (tweed)
D00001 to D01400 – 1955
D01400 to D03000 – 1956
D03000 to D05000 – 1957
D05000 to D06800 – 1958
D06800 to D09000 – 1959
D09000 to D10000 – 1960
D10000 to D11000 – 1961

Deluxe 6G3, 6G3-A (brown)
D00100 to D00900 – 1961
D00800 to D03800 – 1962
D03800 to D04900 – 1963

Deluxe AA763, AB763 (blackface)
A00100 to A00500 – 1963
A00500 to A02800 – 1964
A02800 to A05600 – 1965
A05600 to A06100 – 1966
A06100 to A06500 – 1967

Deluxe Reverb AA763, AB763 (blackface)
A00100 to A00300 – 1963
A00300 to A03900 – 1964
A03900 to A13000 – 1965
A12000 to A19000 – 1966
A19000 to A24000 – 1967

Deluxe Reverb AB763, AB868 (silverface)
A24000 to A26000 – 1967
A26000 to A28500 – 1968
A28500 to A33000 – 1969
A31000 to A33000 – 1970
A33000 to A34500 – 1971
A34500 to A37000 – 1972
A37000 to A39000 – 1973
A39000 to A42000 – 1974
A42000 to A43000 – 1975
A43000 to A45000 – 1976

Dual Showman AA763, AB763 (blackface)
A00100 to A01400 – 1963
A01400 to A01700 – 1964
A01700 to A04300 – 1965
A04300 to A08000 – 1966
A07800 to A12000 – 1967

Dual Showman AB763, AC568 (silverface)
A12000 to A12500 – 1967
A12500 to A15000 – 1968

Dual Showman Reverb AA768, AA769, AA270, TFL5000 (silverface)
A13900 to A16500 – 1968
A16500 to A22400 – 1969
A21700 to A25600 – 1970
A25600 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976

Harvard 5F10 (tweed)
H00100 to H00500 – 1956
H00500 to H01400 – 1957
H01400 to H02000 – 1958
H02000 to H02600 – 1959
H02600 to H03400 – 1960
H03400 to H03500 – 1961

Musicmaster Bass CFA-7010 (silverface)
A00100 to A04100 – 1972
A04100 to A07900 – 1973
A07900 to A09500 – 1974
A09500 to A09800 – 1975
A09800 to A10500 – 1976

Princeton 5B2, 5C2, 5D2 (tweed)
2500 to 3600 – 1953
3600 to 4400 – 1954
4400 to 4700 – 1955

Princeton 5F2, 5F2-A (tweed)
P0001 to P00350 – 1955
P0001 to P01100 – 1956
P01100 to P02400 – 1957
P02400 to P03000 – 1958
P03000 to P04300 – 1959
P04300 to P07000 – 1960

Princeton 6G2, 6G2-A (brown)
P00100 to P01000 – 1961
P01000 to P05100 – 1962
P05100 to P07200 – 1963
P07100 to P09900 – 1964

Princeton AA964 (blackface)
A00100 to A02500 – 1964
A02500 to A07000 – 1965
A05000 to A10400 – 1966

Princeton AA964 (silverface)
A10000 to A11000 – 1967-68
A11000 to A15000 – 1969-70

Princeton Reverb AA1164 (blackface)
A00100 to A02100 – 1964
A02100 to A07500 – 1965
A05500 to A14500 – 1966
A14000 to A18700 – 1967

Princeton Reverb AA1164, B1270 (silverface)
A18500 to A19500 – 1967
A18900 to A21500 – 1968
A21500 to A25500 – 1969
A24000 to A25000 – 1970
A25000 to A26000 – 1971
A26000 to A27500 – 1972
A27500 to A30000 – 1973
A30000 to A32500 – 1974
A32500 to A34500 – 1975
A34500 to A36000 – 1976

Pro 5A5, 5B5, 5C5, 5D5 (tweed)
01 to 600 –  1948
600 to 1100 –  1949
1100 to 1700 –  1950
1700 to 2500 –  1951
2500 to 3500 –  1952
3500 to 4800 –  1953
4500 to 6000 –  1954

Pro 5E5, 5E5-A, 5E5-B (tweed)
S00100 to S00800 – 1955
S00800 to S01200 – 1956
S01200 to S01800 – 1957
S01700 to S02500 – 1958
S02500 to S03700 – 1959

Pro 5G5, 6G5, 6G5-A (brown)
00001 to 02400 – 1960
02300 to 05100 –  1961
49000 to 58000 – 1962
58000 to 59200 – 1963

Pro AA763, AB763 (blackface)
A00001 to A01700 – 1963
A01400 to A08000 – 1964

Pro Reverb AA165 (blackface)
A00100 to A02700 – 1965
A02700 to A09200 – 1966
A07000 to A10200 – 1967

Pro Reverb AA1265, AB668, AA1069, AA270 (silverface)
A10000 to A10500 – 1967
A10500 to A12000 – 1968
A12000 to A13300 – 1969
A13400 to A14500 – 1970
A14500 to A15000 – 1971
A15000 to A15600 – 1972
A15600 to A17200 – 1973
A17200 to A19700 – 1974
A19700 to A20000 – 1975
A20000 to A21500 – 1976

Quad Reverb CFA7104 (silverface)
A33000 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976

Reverb Unit 6G15 (brown, blonde, blackface)
R00100 to R00900 – 1961
R00900 to R02600 – 1962
R02600 to R04800 – 1963
R04800 to R07400 – 1964
R07400 to R09800 – 1965
R09800 to R11000 – 1966

Showman 6G14, 6G14-A (blonde)
00001 to 00350 –   1960
00200 to 00800 –  1961
00800 to 01500 –  1962
01500 to 01800 –  1963

Showman AA763, AB763 (blackface)
A00100 to A01400 – 1963
A01400 to A01700 – 1964
A01700 to A04300 – 1965
A04300 to A08000 – 1966
A07800 to A12000 – 1967

Showman AB763 (silverface)
A12000 to A12500 – 1967
A12500 to A15000 – 1968

Super incl. Dual Professional (tweed)
01 to 400 – 1946-47
500 to 1200 – 1949-51
2000 to 4300 – 1952-53
4500 to 5500 – 1954
5500 to 6100 – 1955

Super 5E4, 5F4 (tweed)
S00100 to S00800 – 1955
S00800 to S01200 – 1956
S01200 to S01800 – 1957
S01700 to S02500 – 1958
S02500 to S03700 – 1959

Super 5G4, 6G4, 6G4-A (brown)
00001 to 02400 –   1960
02300 to 05100 –  1961
49000 to 58000 –  1962
58000 to 59200 –  1963

Super Reverb AA763, AB763 (blackface)
A00100 to A00600 – 1963
A00600 to A06000 – 1964
A05900 to A13000 – 1965
A11000 to A20000 – 1966
A20000 to A27000 – 1967

Super Reverb AB763, AB568, AA1069, AA270 (silverface)
A26000 to A29000 – 1967
A27000 to A35000 – 1968
A35000 to A45000 – 1969
A45000 to A49000 – 1970
A48000 to A54000 – 1971
A54000 to A59000 – 1972
A59000 to A66000 – 1973
A66000 to A77000 – 1974
A75000 to A78000 – 1975
A78000 to A80000 – 1976

Super Six Reverb CFA7106 (silverface)
A33000 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976

Tremolux 5E9, 5E9-A (tweed)
0001 to 00650 –  1955
00650 to 01000 –  1956
01000 to 01300 –  1957
01300 to 01700 –  1958
01700 to 02700 –  1959
02600 to 03300 –  1960

Tremolux 6G9, 6G9-A, 6G9-B (blonde)
00100 to 01000 –  1961
00900 to 04200 –  1962
04200 to 05900 –  1963

Tremolux AA763, AB763 (blackface)
A00100 to A00500 – 1963
A00500 to A03700 – 1964
A03200 to A05700 – 1965
A05200 to A08000 – 1966

Twin 5C8, 5D8, 5D8-A, 5E8, 5E8-A (tweed)
001 to 500 – 1953-55A00200 to A00725 – 1956-57

Twin 5F8, 5F8-A (tweed)
A00010 to A00725 –  1957-59

Twin 6G8, 6G8-A (blonde)
00001 to 00100 –  1960
00100 to 00225 –  1961
00225 to 00400 –  1962
00400 to 00525 –  1963

Twin Reverb AA763, AB763 (blackface)
A00100 to A01200 – 1964
A01200 to A04300 – 1965
A04300 to A07000 – 1966
A07000 to A10400 – 1967

Twin Reverb AB763, AC568, AA769, AA270 (silverface)
A10500 to A11300 – 1967
A10500 to A16500 – 1968
A16500 to A21400 – 1969
A21400 to A25600 – 1970
A25600 to A37000 – 1971
A37000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 19760100 to 3400 – 1970

Vibrasonic 6G13, 6G13-A (brown)
00001 to 00350 –  1960
00200 to 00800 –  1961
00800 to 01500 –  1962
01500 to 01800 –  1963

Vibro Champ AA764 (blackface)
A00100 to A02000 – 1964
A01200 to A08100 – 1965
A08100 to A16000 – 1966
A16000 to A20500 – 1967

Vibro Champ AA764 (silverface)
A19000 to A21000 – 1967
A20000 to A26000 – 1968
A25000 to A28000 – 1969
A28000 to A29000 – 1970
A29000 to A32000 – 1971
A32000 to A35000 – 1972
A33000 to A39000 – 1973
A39000 to A42000 – 1974
A42000 to A51000 – 1975
A51000 to A53000 – 1976

Vibrolux 5F11 (tweed)
F00001 to F00300 – 1956
F00300 to F00900 – 1957
F00900 to F01500 – 1958
F01500 to F02800 – 1959
F02800 to F04000 – 1960
F04100 to F04400 – 1961

Vibrolux 6G11, 6G11-A (brown)
00100 to 00700 – 1961
00700 to 03700 – 1962
03400 to 05500 – 1963

Vibrolux AA763 (blackface)
A00100 to A01300 – 1964

Vibrolux Reverb AA864 (blackface)
A00100 to A00800 – 1964
A00800 to A03600 – 1965
A03600 to A08300 – 1966
A08300 to A10700 – 1967

Vibrolux Reverb AA864, AA964, AB568, AA270 (silverface)
A10700 to A11000 – 1967
A11000 to A12000 – 1968
A12000 to A13700 – 1969
A13700 to A23400 – 1970
A23400 to A24500 – 1971
A24500 to A25000 – 1972
A25000 to A27000 – 1973
A27000 to A31500 – 1974
A31500 to A33000 – 1975
A33000 to A34000 – 1976

Vibrosonic Reverb (silverface)
A44000 to A50500 – 1972
A50500 to A68000 – 1973
A68000 to A99999 – 1974
A81000 to A99999 – 1975
B01000 to B15000 – 1975
B15000 to B68000 – 1976

Vibroverb 6G16 (brown)
00100 to 00600 – 1963

Vibroverb AA763, AB763 (blackface)
A00100 to A05300 – 1964

Typical Speakers found inside most Fender Amps:

Bandmaster 5C7, 5D7 (wide panel): Jensen P15N
Bandmaster 5E7, 6G7 (3×10): Jensen P10R, P10Q, Oxford 12K5R-1
Bandmaster 6G7-A: Oxford 12M6, Jensen C12N
Bandmaster AB763 and silverface: Oxford 12T6, Jensen C12N, Utah 12″
Bandmaster Reverb Silverface: Oxford, Utah 12″Bantam Bass Silverface: Yamaha trapezoidal
Bassman 5B6, 5C6: Jensen P15NBassman 5D6, 5E6-A, 5F6, 5F6-A: Jensen P10R, P10Q
Bassman 6G6 , 6G6-A, 6G6-B: Oxford 12M6; Jensen C12NBassman AA864, AA165: Oxford 12T6; Jensen C12N; Utah ceramic
Bassman Silverface: Oxford 12T6; Utah; Rola
Bassman Ten Silverface: CTS 10″ ceramic
Champ 5C1, 5D1: Cleveland 6″ alnico, Jensen P6T
Champ 5E1, 5F1: Oxford 8EV; Jensen P8T; CTS 8″ alnico
Champ AA764, silverface: Oxford 8EV
Concert 5G12, 6G12: Jensen P10R, P10Q
Concert 6G12-A: Jensen P10R, P10Q, C10R; Oxford 10K5
Concert AB763: Oxford 10K5, 10L5; Utah V10LXC1
Deluxe 5B3, 5C3, 5D3: Jensen P12R
Deluxe 5E3: Jensen P12R, P12Q
Deluxe 6G3, AB763: Oxford 12K5-6
Harvard 5F10, 6G10: Jensen P10R
Musicmaster Bass Silverface: CTS 12″ ceramic; Oxford 126PJ4
Quad Reverb Silverface: Oxford 12T6; Utah V12PC; Rola
Princeton 5C2, 5D2, 5F2, 5F2-A:Jensen P8T; Oxford 8EV; Cleveland 8″
Princeton 6G2, AA964: Oxford 10J4; Jensen C10R
Princeton Silverface: Oxford 10J4
Princeton Reverb AA1164: Oxford 10J4, 10L5; Jensen C10R, C10N
Princeton Reverb Silverface: Oxford 10J4; CTS
Pro 5A5: Jensen F15N (field coil), P15N
Pro 5B5, 5C5, 5D5: Jensen P15N
Pro 5E5, 5E5-A: Jensen P15N
Pro 6G5, 6G5-A: Jensen P15N; Oxford 15M6
Pro AB763: Jensen C15P; CTS 15″ ceramic
Pro Reverb AA165: Jensen C12N; Oxford 12L6
Pro Reverb Silverface: Oxford 12L6, 12T6; Utah, Rola 12″ ceramic
Showman 12 6G14, 6G14-A, AB763: JBL D120F with tone ring
Showman 6G14, 6G14-A, AB763: JBL D130F with tone ring
DualShowman AB763: JBL D130F
Dual Showman Rev Silverface: JBL D130F
Super 5B4, 5C4, 5D4, 5E4, 5E4-A: Jensen P10R
Super 5F4: Jensen P10R, P10Q
Super 6G4, 6G4-A: Jensen P10R, P10Q; Oxford 10K5
Super Reverb AA763, early AB763: Jensen C10R
Super Reverb AB763, silverface: CTS 10″ alnico or ceramic; Oxford 10L6; Rola 10″ ceramic
Super Six Reverb Silverface: Oxford 10L6; CTS 10″ alnico
Tremolux 5E9-A: Jensen P12R; P12Q
Tremolux 6G9, 6G9-A: Jensen P10Q or Oxford 10K5R w/tone ring
Tremolux 6G9-B: Oxford 10K5
Tremolux AB763: Oxford 10K5, 10L5; CTS 10″ ceramic
Twin 5C8, 5D8, 5E8-A: Jensen P12R; P12Q
Twin 5F8, 6G8: Jensen P12N
Twin 6G8, 6G8-A: Jensen P12N; Oxford 12M6
Twin Reverb AB763: Jensen C12N; Oxford 12T6
Twin Reverb Silverface: Oxford 12T6; EV; Gauss; Utah; Rola
Vibro Champ/Bronco: Oxford 8EV
Vibrolux 5E11, 5F11: Jensen P10R
Vibrolux 6G11, 6G11-A, AB763: Oxford 12L6, 12M6
Vibrolux Reverb AA864, AA964: Jensen C10Q; Oxford 10L5
Vibrolux Reverb Silverface: Oxford 10L5; CTS 10″ alnico
Vibrasonic 5G13, 6G13-A: JBL D130, D130F
Vibrosonic Reverb Silverface: JBL D130F, K130F; Gauss; EV
Vibroverb 6G16: Oxford 10K5
Vibroverb AA763, AB763: JBL D130F; Jensen C15N; CTS 15″ ceramic

Homesick Mac’s 1st annual Guitar Retreat

June 8, 2012

| Author: Vintage & Rare

Our friends from Sanden Guitars would like to endorse Homesick Mac. This July he is hosting 1st annual Guitar Retreat in Sweden. Please help us spread Mac’s message through your community. It’s very much appreciated.

Below you can read his message and a video that Nicolai from Vintage & Rare recorded with Sanden Guitars and Homesick Mac.

Sanden Guitars / Homesick Mac Baritone Signature

For more information please visit www.homesickmac.com/retreat/Homesick_Macs_site_updates/English.html .

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Video blog: Caparison Guitars

May 30, 2012

| Author: Vintage & Rare

Guitar show Frankfurt 2012 was a great opportunity for Nicolai from Vintage & Rare to record many impressive videos. We want to share all of them with you. This week we are showing you impressive Caparison Guitars.

Caparison Guitars are Japanese guitar and bass company. The company was established in 1995. Their best selling guitar is “Horus” model, but it is also important to mention their Caparison Dellinger, TAT and Orbit models.

‘’ I am delighted to continue working with, and designing for Caparison. I would like to express my deepest thanks to our customers, dealers, artists, and all who helped support us in making a fresh start. It is my feeling that Caparison guitars are still evolving, and I have many ideas that can now be embodied. With your support, I look forward to realising a world of new guitars.’’

Itaru Kanno/ Designer, Caparison Guitar Company.

Chris Amott / Caparison Guitars / Frankfurt 2012

Caparison Guitars / Guitar presentation / Frankfurt 2012

For more amazing videos please visit our YouTube channel. Also feel free to leave a comment…

Video blog: Stevens Custom Guitars

May 26, 2012

| Author: Vintage & Rare

In April 2012 Nicolai from Vintage & Rare had a great opportunity to meet Werner Kozlik at the Frankfurt Show 2012. Werner is owner of Stevens Custom Guitars and Munich Repair Shop. At the show they were presenting the whole range of instruments they do in Stevens Custom Guitars Company.

They are mostly focused on development and production of musical instruments, such as Steal String Guitars, Jazz Guitars, Irish Bouzoukis, Acoustic Bass Guitars and custom orders.

Here are some cool pictures and videos of that day. Enjoy!

Stevens Custom Guitars / 1 of 2 / Vintage & Rare / Frankfurt Show 2012

Stevens Custom Guitars / 2 of 2 / Vintage & Rare / Frankfurt Show 2012

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Video blog: Norwegian Wood Series / Husemoen Guitars

May 16, 2012

| Author: Vintage & Rare

Frankfurt show 2012 was a great opportunity for Nicolai from Vintage & Rare to meet Øystein Husemoen from Norwegian Wood Series / Husemoen Guitars.

The Norwegian Wood Series are made entirely from woods that grow in Norway. The advantage is that they do not have to use the rainforest to timber in order to create a good sound. These handmade guitars combine maximum playability with a rich tone and a classic design.

Here is one cool video of that day. Enjoy!

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Video blog: 1961 Fender Stratocaster

April 30, 2012

| Author: Vintage & Rare

Here we have Doc Pittillo from The Guitar Doctor. He told us a very cool story regarding his 1961 Fender Stratocaster.

Doc got this guitar when he was very young, when he just started being interested in music and guitars. The story behind it is very interesting. While he was working on one boat he met a man who was its owner. In their conversation Doc told him that he started playing guitars and that he likes it a lot. The man said that he has a guitar factory. That man was Leo Fender.

This 1961 Fender Stratocaster was one of the first guitars that Leo gave him. The guitar was unfinished, but Doc fixed everything. He said to Vintage & rare that this is one of the best sounding Strats he has ever played.

Doc played this guitar just for Vintage & rare… Watch the video below and hear that special sound. Enjoy!

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Video blog: Gibson Les Paul 1958 & 1959 Sunburst Original Vintage Guitars

April 13, 2012

| Author: Vintage & Rare

Here we have Tom Wittrock. He is showing us Original Vintage Gibson Les Paul 1958 & 1959. Tom Wittrock has owned and operated Third Eye Music since 1976, and is now the most established vintage guitar store in the Springfield, Missouri area. Tom buys, sells and trades all kinds of guitars and related items.

You are looking at two of Toms late 50′s Les Pauls. The first guitar is a 1958 model that Tom had nicknamed ”The other woman”. The second guitar is 1959 model that is nicknamed ”Donna”. He has had both of these guitars for twenty-five years. He brought them to the Arlington Guitar Show because a lot of people almost never get a chance to see these things up close. This way they could look at them closely.

History of the guitars

The Gibson Les Paul 1958 has been through several dealer collectors hands back in 70’s and 80’s when it landed with Tom and he decided that he is the rightful owner and that this guitar is staying with him.

He said that he didn’t know much about the background of the Gibson Les Paul 1959. Apparently some man who was a repairman got it off a customer and sold it for a lot of money and that boosted his business, so he was able to stay in it and do a good job. Then it came into Toms hands.

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The Paganini Il Cannone Guarnerious violin – legendary!!

January 13, 2012

| Author: Vintage & Rare

Paganini Il Cannone Guarnerious

Paganini is often described as the world’s first virtuoso and is still widely recognized as one of the greatest ever. While the story of Paganini’s life story is fascinating reading the story of his favorite violin – his “Il Cannone” (The Canon) is no less so.

Niccoló Paganini (1782-1840) achieved massive fame throughout Europe and was the most celebrated virtuosi of his time, and today he is considered the father of modern day violin techniques. Sadly he lived before the time of recordings, but this rendition of one of his most famous pieces – his Caprice No. 24 – should give you an idea of what his musical and technical prowess could produce. The artist seen is Alexander Markov.

Originally Paganini played a valuable Amati violin. This however he lost in a bet as he was heavily addicted to gambling. Instead a generous businessman and amateur violinist donated him a neglected Guarneri violin. The instrument distinguished itself by having lots a resonance and a booming quality which immediately attracted Paganini. He named it “Il Cannone” – The Canon, and it was on this violin he wrote some of his fastest pieces which require advance technique and performance at breakneck speed.

“Il Cannone” after Paganini

Upon his death Paganini donated “Il Cannone” to the Italian town of Genoa who still holds the violin at the Palazzo Doria Tursi. It is now considered a national treasure. All the principle parts of the violin are still intact a unique fact in itself, considering that this instrument dates back to 1742-43. Notice that it doesn’t have any chin rest, and instead the varnish which also is the original coating has rubbed of. This is due to the fact that Paganini like his contemporaries didn’t use a chin rest. Instead they rested their head directly on the sounding board.

The violin is supervised by a panel of experts. Among them is Mario Trabucco who is charged with playing the instrument regularly and Bruce Carlson, a violinmaker in charge of the conservation. Every year Genoa hosts a violin contest and the winner gets to play the masterpiece so thankfully this masterpiece has not been reduced to a museum artifact. Rarely it’s lended to guest cities with requirements of police escorts and multimillion dollar insurance policies. It can be heard on jazz-violinist Regina Carters “Paganini: After a dream”.

On the following video you can see Il Cannone in live action. The video features Israeli violinist Shlomo Mintz playing Paganinis Violin Concerto.

While Vintage & Rare can’t boast of having a genuine Guaneri on sale we have an excelent replica made by danish luthier Robert Knudsen. The violin is available through our partner Hertz Music based in Denmark.

Robert Knudsen Guaneri Model 1739 Violin