Category Archive: Interviews

Video interview: Page Hamilton / Helmet

Nicolai from Vintage & Rare met up guitarplayer, singer and composer, Page Hamilton, from Helmet before their concert at the Vega venue in Copenhagen, Denmark 2013 to talk about Page´s gear.

Helmet is an American metal band which was founded in 1989 by Page Hamilton. They have released seven studio albums and two compilations. In 1998 the band split up, but reformed in 2004. Their latest album, ” Seeing Eye Dog ” has been released in 2010.

See Page´s gear setup for the 2012 EU Tour below.

Page Hamilton Helmet Gear setup EU Tour 2012

Page Hamilton Helmet Gear setup EU Tour 2012

Page Hamilton Helmet Rig setup-2 Page Hamilton Helmet Rig setup-3 Page Hamilton Helmet Rig setup

 

www.helmetmusic.com
www.facebook.com/HelmetMusic
twitter.com/#!/helmetmusic

Dominic Frasca: “Have a good time all the time”.

Dominic Frasca is a guitar player, more famous by his YouTube video called ‘’Impossible guitar’’. Video has at last count 39,305,349  hits. After seeing his video, we at Vintage & Rare were totally blown away.

Could you please tell us a bit about your background as a musician and how you got into playing music? Do you remember any specific moment that sparked your interest in music?

I have always listened to the music from an early age. I had four older sisters and an older brother who turned me onto everything from Stevie Wonder, Steely Dan to Disco. But it was when I started listening to AC/DC that I really decided I wanted to play guitar.

Do you have formal musical education?

I got my degrees in classical guitar and Composition from University of Arizona and Yale.

What musicians or bands have inspired the most over time?

Prince, Steve Reich, Philip Glass, Maurice Ravel, Anthony Davis, Iron Maiden, Jimi Hendrix, Stevie Wonder, Pink Floyd to just name a few.

From a hard rock guitar player you became a classical player. What inspired you to go in this direction?

It was kind of in the air for my generation. There was a big neo-classical thing happening with a lot of the electric players of the 80’s so it seemed natural to progress to classical. I really enjoyed the discipline and the musical structure that classical had to offer, but in the end I am still a rocker in my heart.

How important do you see Youtube as a promotion tool and channel for you?

Youtube really changed everything for musicians as well as most other profession. Whether you are a street fighter or a comedian or a guitarist you can now reach so many people without ever leaving your home. This also means now that you need to be educated and have skills in many areas such as video, marketing, engineering etc. In a lot of ways it is a great time to be a musician.

Please tell us something about the Fixations project.

Fixations is an ongoing piece I created for surround sound and surround video which I perform in my performance space The Monkey in NYC. Fixations deals with those things that people fixate on from money to sex to religion. After having played guitar for so many years I really wanted to create something that stretched beyond just the guitar.

So I built a performance space and started experimenting with everything visuals sound design to what type of drinks people have when they come to the performance. The space in a lot of ways is the last extension of my instrument and when people come to see the show it is like they are entering into my mind, which for some people is not always a good thing.

Any famous last words?

In the words of Viv Savage from Spinal Tap “Have a good time all the time”.

www.dominicfrasca.com
https://itunes.apple.com/au/album/deviations/id448474429

Would you like to add something about Dominic? Please leave a comment…

Nina Badrić: representing Croatia on Eurovision Song Contest 2012

Nina Badrić is a Croatian pop singer. This year she will represent Croatia at Eurovision Song Contest 2012 in Baku with her song called ”Sky” (”Nebo”). While she is preparing for ESC she found some time for Vintage & Rare. Read what she told us and don’t forget to listen to the song and vote! 🙂

Nina Badric

Could you please tell us a bit about how and when you got into playing music?
I started singing when I was 9 years old in The ”Zvijezdice” ( Little stars ), children’s choir in which I soon became one of the leading soloists.

What musicians have inspired you the most over the years?
Music that has graced me in my life is predominantly performed by Milles Davis, Stewie Wonder, Michael Jackson, Prince.

You are a famous singer in Croatia. Do you ever wish not to be?
Music is my life.

Are you proud to represent Croatia on Eurovision Song Contest 2012?
I was thrilled because they invited me to represent Croatia. I am very proud and it is a big challenge for me. Definitely a new step and inspiration in my carrier.

How come you decided to sing in croatian? What is the song about?
Song is very emotional and strong. Especially for me.

How important do you see Youtube as a promotion tool and channel for you as an artist?
I think that today YouTube, facebook or another social media are very important for promotion.

Do you play any instruments?
Unfortunately no.

Any artists around the world that you would like to play and record with?
Quincy Jones, Adele, Prince, George Michael…

What are you future plans?
After Eurovision song contest I am going on a tour. I am very happy and excited about it.

Any famous last words?
I wish you all the best in your life. Keep fingers crossed for me in Baku. Grab your phone and vote for me.

www.ninabadric.com
www.facebook.com/NinaBadricOfficial
itunes.apple.com/us/artist/nina-badric/id73629211
https://twitter.com/ninabadric7/
https://www.youtube.com/user/OfficialNinaBadric

What do you think about the song? Would you like to add something about Nina? Please leave a comment…

Joe Satriani interview: ”To my fans: I owe you everything”.

Joe Satriani is one of those guitarists who can be described in a single word – legend. Vintage & Rare is proud to present you interview with Joe, the guitarist whose music has no requirement for lyrics. He told us something about his musical beginnings, his inspiration and his plans for the future.

Could you please tell us a bit about how you got into playing music ? Do you remember any specific moments that sparked your interest in music and playing guitar?
I started playing the drums at age nine after seeing The Beatles and The Rolling Stones on TV. Then in September of 1970 I switched to guitar the day Jimi Hendrix died. He remains my main inspiration.

Which musicians or bands have been the greatest inspiration and have had the greatest influence on your understanding of music and your playing?
Besides Hendrix, I was influenced by early American blues, rock ’n’ roll, Motown, R & B, jazz and classical music. I played Black Sabbath and Led Zep in my early bands, and then some fusion. My greatest understanding of music came from my high school music theory teacher Bill Westcott. He gave me my foundation.

What advise you you give to fans wishing to perfect their playing and broaden out their understanding of music?
Practice being a musician everyday, be creative and curious and never stop learning.

How many days a year do you spend on road? Is it hard to be on a tour and still keep the mindset to create and produce music?
It seems like I’m on tour half of every year these days. Some years see me touring more, some less. The music business is always changing, you have to be able to adapt.

Can you please tell us about the guitars, amps and effects you are mainly  using, and why you have chosen the guitars & gear you have?
My main guitar now is my Ibanez JS2400. I have come to really love the 24 fret JS model now. I have put a Sustainiac pickup in a few of my 2400’s as well, they are very useful and add functionality to the guitar. My new signature Marshall JVM410H JS head is fantastic! I love playing through this new system as it really sets me free.

Do the guitars & gear you play live differ from the guitars you’re using during recording sessions?
Not really. The last two records and tours both solo and with Chickenfoot saw me with the same gear.

Maybe you could eloborate a little bit about your collaboration with Ibanez and the cool Chromeboy project?
Chromeboy was born back in 1990! It is so very hard to successfuly chrome a guitar body made of wood. We have tried everything you can think of, but it still eludes all who try. Eventually the chrome lifts away from the body, cracks and becomes dangerous. Now, the very process of chroming is being restricted due to safetey concerns for the environment as well as the people doing the chroming. So, if you’ve got an original Chromeboy, keep it safe!

Are you into vintage guitars & old amps/effects? If yes which brands/models and why? Maybe you have a special story to tell around one or more of your guitars?
I like to collect vintage Fender, Gibson and Martin guitars. Mainly Strats, Tele’s, Les Pauls and acoustics. My current favorite is a 1969 Olympic White maple-cap Stratocaster. It’s a total Hendrix-fetish collectable, and it sounds great too!

Any exciting new projects that you would like to tell us more about? Could you please eloborate more on your movie Satchurated 3D.
Having ”Satchurated 3D” playing theaters around the world is just so cool! Think about it, an instrumental rock guitar movie in theaters, what a crazy world we live in! When we release the DVD and people see the whole show and the bonus features they will freak out!

Any famous last words?
To my fans: Thank you so much for listening to me play my guitar! I owe you everything and will keep playing my best as long as I live.

www.satriani.com
www.facebook.com/joesatriani
www.youtube.com/websatch
twitter.com/#!/chickenfootjoe

Would you like to add something about Joe Satriani? Please leave a comment…

Brev Sullivan interview: ”A guitar puts a smile on a grown man’s face.”

Brev Sullivan is a Miami – based guitarist. He plays with the rock band ” Featured on Fridays ” and with his father, jazz legend, Ira Sullivan. Vintage & Rare got the opportunity to talk to Brev about his music, gears, future plans and much more.

Hi Brev, thank you for taking your time to speak to us.

Could you please tell us a bit about how you got into playing music in the first place? Do you remember any specific moment that sparked your interest in music?

I was born into a musical family. My father had musical instruments all around the house so I was very young when I discovered music. I loved the piano at first and eventually I started learning trumpet and then guitar.

Why you initially got into the genre you’re currently playing? What musicians or bands inspired you in the beginning?

I listened to nothing but classical and jazz growing up. It wasn’t until my teens that I discovered rock and even then I was very choosy about what bands I listened to. When I heard Gary Moore and Guys like Van Halen that really sparked my interest and pushed me to practice strictly guitar. Currently I am writing in the style of 80′s arena rock. This music is about happy times and celebrates extreme guitar technique and requires all of the band members to be talented.

Do you like performing with your father – jazz legend Ira Sullivan?

Of course. While I’m known as a rock musician, my father always encouraged me to follow my own path and to play from the heart and to improvise. I grew up hearing him play with Joe Diorio, my guitar teacher. When they performed together I heard some of the most incredible music on the planet. That music was the ultimate guitar lesson for me.

Can you tell us about the gear your using, and why?

It is a combination of several amps. I use a Bogner Goldfinger 45 and the DV Mark triple 6. As far as pedals I don’t like a lot of pedals in the signal chain. The more pedals you have on stage the more they distract the artist from playing and performing. If I hit a pedal it’s gotta be an effect the whole arena hears when you hit it. Currently I plug my amps into a Yamaha UD stomp pedal for delays and pitch shifting (no longer manufactured) and several old world style pedals. A barracuda flanger, Psilocybe phaser and an old Thomas Organ Vox Crybaby. Circa 1970.

Can you please tell us about your collaboration with DV Mark?

My bassist Crystal Fawn has always used Markbass amps. When I discovered they make a whole line of guitar amps I had to try them out. They match up sonically to the best boutique tube amps out there and are pounds lighter than the normal heavy guitar amp. They also make extremely light weight cabs as well. I am currently using them to record tracks for my next solo cd.

Does the gear you play live differ from the gear you’re using in the studio?

No. When I record in the studio, I play live with a drummer and the tracks sound best when that energy is captured. Nothing else sounds like a cranked tube amp. You need the power amp section of a tube amp turned up to match the power of a brute rock drummer. When I have live shows I grab the same rig and take it to the gig. If I can’t have my rig and have to use generic back line, I take my trusty pedalboard with me. While I prefer amp distortion If I have to use a pedal I use the MI audio crunchbox. There are actually are a couple of great pedals on the market that come pretty close to the real Tamale. The Rockbox Boiling Point is great and I’ve also discovered recently Studio devil software. The other day I actually plugged my laptop with the Studio Devil virtual guitar amp straight into a Plexi 50 watt amp head and it sounded amazing.

Are there any special guitars, brand or a model, that fit your specific sound or genre better than others, and if so, why?

I’ve been using Vigier guitars as a solo artist for many years. The Vigier allows me to go from rock, to jazz, to chicken picken’ to shred. More recently though I’ve gone back to a simpler 80′s retro strat style guitar because I play 80′s Arena style rock with My group Lazy Bonez. I prefer an Alder or basswood body for tone, Floyd Rose trem and high output pickups. I see a trend with a lot of companies going back to this model.

How important do you find the gear to be, in relation to the sound you’ re trying to produce?

Extremely important. While the tone is actually in your hands, the right gear can help you can capture the vibe you are going for with your music. That does not mean you should go into debt trying to get gear! On the contrary. If you are going for a classic rock tone, grab a cheap strat and plug straight into a tube amp and record what comes out. You can always buy replacement parts and tweak a guitar to sound better. Back in the 60′s and 70′s, Strats off the wall of a guitar shop were imperfect and you had to fight to keep it in tune. You don’t need to pay out the nose for a vintage guitar to get that sound. I recently recorded a whole album on a $450 stock Gibson Sg special. It’s one of the best sounding guitars I’ve ever owned.

If you could choose 3 dream guitars for you – what would they be and why?

That list may have to be a bit longer but here’s a 3 guitar wish list: A classical nylon string guitar by Ruck (One of the finest guitars I’ve heard), Vigier Fretless Surfretter (I’ve always wanted to learn the style of fretless guitar) and Bob Benedetto ( The best jazz Archtop I’ve heard).

You appear in the upcoming summer 2012 Film Rock of Ages as a guitarist with Tom Cruise. What was that like?

I appear in several scenes in the fictional band Arsenal fronted by Tom Cruise who plays the character of lead singer / frontman Stacee Jaxx. It was a surreal experience to say the least being surrounded by Actors such as Alec Baldwin, and Paul Giamatti every day. Tom was extremely professional and really knocked it out of the park as a rock performer. I got to work with choreographer Mia Michaels and that really helped me with my stage presence. Being on the set everyday was just like preparing for a real tour. We were on an Aircraft carrier size stage with full size Marshall stacks circa 1980, used pointy guitars and old school pedals. One of the biggest scenes we filmed was Def Leppard’s ‘Pour Some Sugar on Me’. Def Leppard was on tour at the time in town and they actually came down to the location we were filming at in to watch our rehearsal. It was epic!

Any famous last words?

Yes. I have never seen an instrument like the guitar that is so utterly fascinating to so many people. Right now is an amazing time in history. We all have phones that do everything, Ipads, electronic gizmos, and yet people everywhere are marveled by a simple, old world creation of wires and wood that has absolutely no micro chips inside. I personally know more people that own a guitar that can’t play it but wish they could. That’s also an amazing phenomenon. A guitar puts a smile on a grown man’s face and kids love the guitar. People also love the guitar and idea of being a rock star so much that they will buy a video game with a plastic guitar that makes them feel like a rock star, that’s powerful.

www.brevsullivan.com
www.myspace.com/brevsullivan

Would you like to add something about Brev Sullivan? Please leave a comment…

Walk off the Earth: Sarah Blackwood interview

Walk off the Earth is an unique Canadian band. Their  interpretation of Gotye’s “Somebody That I Used To Know” has so far reacg more than 67 million views on Youtube.

Vintage & Rare got the opportunity to talk to Sarah Blackwood, the band member. She told us something about their work, how does it feel to be the only girl in the band, their future plans and many more.

Hi Sarah, thank you for taking your time to speak to V&R.
No probs!

Could you please tell us a bit about how you got into playing music together in the first place?
I started working with Gianni a long time ago. Around 2007. Him and Marshall started WOTE in 2006 and just over the years we have all come together for different projects and music. Gianni helped produce and engineer my second solo album and during that time we started talking a lot about making videos and getting involved more with each others music. Over the past few years it’s all just kind of come together with everyone and the music and videos have created buzz and momentum for the band.

Your version of ’’Somebody that I used to know’’ has more than 64 millions views on Youtube. How important do you see Youtube as a promotion tool?
We have been making stuff for the Youtube world for a few years now. From experience and research we saw potential in it more so than anything else. I personally spent the past 6 years as more of a “road  warrior”  so to speak. Touring full time and traveling around the world with my music. When we put our heads and music together from the road and with the world of Youtube/Social Media our minds opened up big time! Youtube is a whole different world and we know there is so much more to develop from it. We’re just getting started. Social Media really is changing the world.

Five people, one guitar, five different roles – Great concept and it really sounds great. How did you came up with that idea?
Gianni came up with the idea. Every time we do a video the idea stems and we just go from there. With this one, it was something he had wanted to do for a while. When we looked up other videos on Youtube we could only find three people on one guitar. So we did five. Every idea we have has to be incredibly creative and inventive. Otherwise you’re just doing what everyone else has done already.

Does the instruments you play live differ from the ones you’re using in the studio?
Yes they do. We have a plethora of instruments that we share in studio with the stage and not. In face, just recently we have been obtaining more instruments than ever. It’s pretty neat. We also use random things as instruments as well. Like little pieces of metal instead of a snare drum. Or cardboard boxes instead of a drum. Or a box of TicTacs instead of a shaker. We like to get super creative.

Any artists you would like to play with?
I would love to play with a few different people. Mumford and Sons would be a killer!

You are the only female in the band. How does that feel? Or is it really the other way around?
It’s much better than being in a band with all girls! haha. Either way, the members in the band now add a dynamic that was never this strong. No matter what… we are family and will be together until the end. I love hanging out with guys because they are drama free for the most part. And in return, I have learned a lot about being patient, trustworthy and incredibly independent. There are many, many valuable things you learn about being a girl when spending all your time with guys.

Are you working on some new songs? Recording? Will you be touring soon?
We have a bunch of new original songs recorded now! The past 2 months have been insanely busy and we are working on an album to hopefully be released before or during the summer. It’s cool because now we just get to work on music and videos. It’s still a TON of work, even much, much more than before, but it’s our dream job so we are all so happy. We have tours and summer festivals coming up soon too!

Any famous last words?
Don’t drink chocolate milk before bedtime, it will give you nightmares.

Vlatko Stefanovski: An Interview with the Macedonian guitar player Vlatko Stefanovski

Vlatko Stefanovski is an incredible guitar player that was born in Prilep, Macedonia. There he formed the group LEB i SOL, one of the biggest in former Yugoslavia. The band played a particular style of fusion music, a blend of Macedonian traditional irregular rhythms and contemporary rock. While he is preparing for a new solo tour, he found some time to talk to V&R.

Could you please tell us a bit about how you got into playing music?
Most probably, those were my teenage years, when I was interested in everything exciting like basketball, photography, music, guitars etc. Forming local bands was so popular at that time, so I was one of those who had tried everything. I was listening to the records of my older brother, and was deeply impressed by the whole new word of rock’n’rol

Could you explain to us, why you initially got into the type of music and genre you’re playing?
I was not thinking too much of any genre. I was improving pretty fast with my playing, and some things just came to me naturally. I got into the fusion thing in the mid seventies, and started to play some traditional Macedonian stuff in a new and unusual way. I learned and composed just by endless improvisations. Of course that term is heavily overused, and very often misused, but that is how I work even today.

What musicians and bands have inspired you and why?
The Beatles of course, Bob Dylan, Jimmy Hendrix, Alvin Lee, Jan Akkerman, John McLaughlin, Allan Holdsworth, Joni Mitchell and many others, because there is a certain magic in their music, and image that they create around.

What do you prefer, playing solo and/or with your band?
For me everything is fine and exciting, playing solo, in an acoustic duo, trio, electric, bigger bands.But recently I discovered the beauty and the luxury of playing with symphony orchestras. I have already had such an experience, and I really love it!

Can you tell us about the gear your using, and why? What guitars? Any amps & Effects, if so what brands and types…?
The guitar that is my working horse at the moment is Leo Scala VS-1, el. Guitar that Leo had built for me 7 years ago. Great instrument. Before that I was playing mostly my black Pensa-Suhr guitar from the beginning of the nineties. My guitar collection is growing pretty fast because I receive many gifts form many companies and guitar luthiers. Mirza Kovacevic from Bosnia had also built a very fine instrument for me. I am also very happy with my new Lowden acoustic guitar that I found recently with the help of my friend Jan Akkerman.

Can you please tell us about your collaboration with DV Mark?
I don’t want to sound like and advert, but these guys from Italy build some great amps, pretty revolutionary with the feel of vintage. Great sounding, singing tones, in a compact and lightweight format, with some features that many big and famous companies could not invent or put into their products. I play those amps exclusively, whenever it is possible!

Does the gear you play live differ from the gear you’re using in the studio?
My home studio gives me the opportunity to experiment and to change guitars, signal chains and processors. For the road, and airplanes, my setup is very conservative. I carry four guitar pedals in a very small pedal board and that’s it.  The red Fulltone overdrive is my favorite drive pedal and one guitar on my shoulder, to avoid customs and travel problems.

How important do you find the gear to be, in relation to the sound you’ re trying to produce?
For me gear is very important, especially having a great instrument. I am lucky to have more than one. But young guitarists these days show pretty big lust for gear, for more and more toys. So in a way, guys are drowned into different amps, pedals, processors, and spaghetti cable setups. What really matters is do we touch the hearts of those who listen to us? Do we give something? Those who play and produce great music are the good ones, not those who own 200 guitars.

Any famous last words?
Nothing famous, practice and progress. The tone is the combination of our hearts, minds, fingers, and of course our instruments!

Would you like to add something about  Vlatko Stefanovski…? Please leave a comment…

Thunder Road Guitars interview with Frank Gross from Thunder Road Guitars

Hi Frank, thank you for taking your time to speak to us. Could you please tell as a little bit about Thunder Road Guitars? Where are you located?
Hello Vintage and Rare! Thunder Road Guitars is an online-based guitar shop by musicians for musicians. We buy, sell, trade and cosign guitars and amplifiers with folks all over the globe. We opened our doors January of 2012 and have loved every moment of it since. We are located in Seattle, Washington, USA.

What initially motivated you to set up a music store, and when was that?
I’ve worked in music shops since I was old enough to have a job and have always had a love and passion for great guitars. I have managed a well-known Seattle vintage guitar shop and have also worked for a US chain store. I learned a lot working for both companies and eventually decided to open my own store this January. My favorite thing about independent music stores is the “shop culture” – the things that happen day to day, the guitars that come in and go and the interesting folks you meet. I love it! At Thunder Road we try and give our customers that same experience online by offering great customer service and a very personal approach. I’m very hands on and if you are buying a guitar from us more than likely you will speak to me directly.

What has been the biggest challenge in setting up your shop?
The biggest challenge for me was to take this dream of mine and make it a reality. I’ve always dreamed of owning my place, but there’s a lot of risk involved when you start any new business. Like I mentioned earlier I have just opened my digital doors to the world, but so far so good.

In EU the current Gibson case “lacey act” has gotten a lot of attention, what is your perspective on shipping between US & EU? Have you had any problems regarding this case so far?
I’ve shipped a lot of guitars between the US and Europe in my time buying and selling instruments and I think it’s unfortunate that the “Lacey Act” has created the issues that it has. I’ve seen it scare off customers and make it harder for someone like myself or other dealers out there to share great Brazilian rosewood vintage instruments with customers around the globe. With that said, it seems that if you can provide proper documentation of your instrument and show that it was built before a certain time period then you will be fine shipping, or so I’ve heard.

Do you play music yourself? If so, what do you play, for how long have you been doing it?
I sure do. I started my first band at age eleven, before I could even really play guitar. Since then I’ve been lucky enough to play in two professional bands, put out records, tour the US for what seems like a million times, and also tour Europe. One time on tour with my band in Europe the border guards in Croatia didn’t want to let us in because we didn’t have work visas so we bribed our way in with CDs, T-shirts, and other merchandise. We ended up making it across the border and rocked a great show. I’ve had some pretty amazing experiences playing music. I am very grateful for my experiences and feel lucky for the opportunities I’ve been given through music.

What do you consider the biggest challenge for dealers of musical instruments today?
I would say the biggest challenge is also one of the greatest strengths, and that is globalization. When I first started working in this field the primary option someone would have would be to walk into a brick and mortar store to pick out a guitar. Now they have the entire world’s instrument supply at the click of a button. For us this has been a good thing because it allows us to connect with buyers worldwide, but it is also challenging because there is much more competition for sales.

How do you choose what products to carry?
I carry instruments that I like, plain and simple. I’m a big fan of American and import vintage guitars and amplifiers from the 50s, 60s, and 70s as well as modern custom shop instruments from Gibson, Fender, Martin, Gretsch, Marshall, Dr. Z, and Orange. Right now Thunder Road offers used and vintage instruments, but in the near future we will be expanding to include boutique guitars and amplifiers.

What role has technology (the internet, your website, etc.) played in the success of your business? Do you use social media channels to promote your business?
Technology is huge for us as we are an Internet based business. Without the huge role the Internet now plays in instrument sales it would have been much harder for Thunder Road to get off the ground. We use social networking as a source of promotion as well as a way to connect with our customers and keep them updated on new and exciting instruments we acquire.

Is there a general trend to the people who purchase from you, in terms of how skilled or experienced they are?
We sell guitars and amplifiers to folks all over the globe. Some touring musicians, some recording musicians, and some hobby rockers. The thing they all seem to have in common is a passion for great guitars. I love how into guitars my customers are and love talking with them about music, life, and instruments.

You are known for your dedication to providing a good customer service. What advice do you give to somebody looking to purchase an instrument from you?
Being a musician myself I would not want to carry or sell an instrument that I wouldn’t feel comfortable personally owning or playing. Being a business owner I want to give my customers the same experience I would expect from a guitar shop. We go to great lengths to get to know everyone who crosses our path, whether it is selling them something or a simple inquiry asking about a guitar. We want people to feel comfortable when they work with us and feel as though they’re getting a great guitar from a great shop.

Any famous last words?
I want to thank the fine folks at Vintage and Rare for this interview and thank you (the reader) for taking time out of your day to read about Thunder Road Guitars. Please check out our website: www.thunderroadguitars.com/

Airline H8396 – 1960s Sunburst
Gibson ES335 – 1965 Cherry Red
Gibson GA18T Explorer – 1960

Hook up with Thunder Road Guitars via their Media Channels:
http://www.facebook.com/thunderroadguitars
http://twitter.com/thunderroadgits
http://thunderroadguitars.tumblr.com/

Grinning Elk interview with Ray Mauldin from Grinning Elk

Hi Ray, thank you for taking your time to speak to us. Could you please tell as a little bit about Grinning Elk? Where are you located?
Lee and I have been attending shows together since 2000. At the time, I owned an electronics repair service and was well- established here in my hometown. Lee walked into my office one day and as we were talking, I asked him, “What exactly do you do, Man”? He answered, “I buy and sell vintage guitars”. Well, I had always been a gear junkie, having played in various bands around Atlanta for years and I thought that his answer sounded very intriguing, so I asked if I could go to a show with him sometimes. He said, “Sure” so in October 2000, we drove out to the Arlington, Texas show and on the way back, the idea of forming a company was born. Our office is in Douglasville, Ga., which is about 20 miles West of Atlanta.

What initially motivated you to set up a music store, and when was that?
We don’t have what is referred to as a “brick and mortar” store. We are primarily a web- based business and have an appointment only office where clients can set up a time to come and visit. Our office and company was officially opened in Sept. 2006.

In EU the current Gibson case “lacey act” has gotten a lot of attention, what is your perspective on shipping between US & EU? Have you had any problems regarding this case so far?
Not yet. In the last year, we have been asked to send only two guitars that had Brazilian Rosewood overseas. Both were vintage Martins and we decided that rather than take a chance on them being confiscated, we would sell them here in the U.S. Thankfully, our clients understood and the guitars sold easily here.

Do you play music yourself? If so, what do you play, for how long have you been doing it?
I have been playing bass since about 1987, which was right after I got out of the Army. Lee’s been playing guitar since the late 70’s, when he was in high school. I think he even won a talent show back then, so he obviously got an earlier start than I did. He’s a much more accomplished musician than I am. He’s taller too.

The Elk Nation….James Hetfield….could you tell us a bit more about that?
That was one of the best days of my life. It was a Sunday and I was lying on my couch, watching TV.  Metallica was playing Atlanta that night and was thinking I’d get tickets down at the arena right before the show started. Lee called me up and said, “Pull out those two Flying V’s and the ’65 Strat. We might be showing them to the guys in Metallica this afternoon”. I probably said something like “Yeah, sure we are” but he insisted that I get up off my comfortable couch and get ready.  So I begrudgingly did as he asked, thinking that this was a cruel joke because you just didn’t get to go meet Metallica on a Sunday afternoon, but sure as shootin’, two hours later, we were standing at the service entrance to Phillips Arena with those guitars in hand. James’ guitar tech, Zak took us into a room where we laid the guitars out and it wasn’t long before Hetfield walked in and started checking them out. He eventually bought the white ’75 Flying V. We later showed the Strat to Kirk Hammett, but he said it was too clean and “not vibey enough”. Go figure that one out!

What do you consider the biggest challenge for dealers of musical instruments today?
I think the most difficult part of our business today is completing a deal over the telephone or by email. It’s a challenge to sell a piece to someone that is halfway around the world with only a written description or with words spoken on the phone. We want to make sure that the guitar or bass being discussed is exactly what our client is looking for and will fit his or her needs. The last thing we want is to mail a guitar across the planet only to have it come back.  We try to do all of the legwork and preparation before the guitar goes out so that when it arrives at its new home, the customer opens the case and says “wow”. That’s our goal with every transaction.

How do you choose what products to carry?
That’s another challenge in itself. We are so picky when it comes to condition and originality, the pool of instruments we will consider buying is a small one. We want them all to be as close to new as possible and completely original. Every once in a while, we’ll purchase a guitar that might have broken solder joints or a replaced nut, but it’s a rare occasion. There’s even a term that’s been coined in our industry- “Elk clean”. I hear it all the time at the shows we attend and I’d like to think that it refers to best of the best.

What is the oddest guitar you’ve ever sold?
A few years ago, at the Philadelphia Guitar Show, we bought a 1986 Kramer Triax that was virtually unplayed. It was flip- flop pink and had its original flight case and all of the tags.  Very cool and very 80’s!

Do you have any personal favorite guitars in your shop? If so, why is said guitar your favorite?
My favorite guitars are usually basses, so at the moment, it’s a Rickenbacker 4003s8. It’s an 8- string bass in Desert Gold that was made as a “color of the year” piece in 2001. There can’t be more than one or two in the world. In terms of favorite guitars, we have the first Murphy- aged Les Paul ever made at Gibson and it’s one of the most authentic looking ’59 reissues we’ve ever seen. I think Lee’s got that one stashed away somewhere so I can’t get my hands on it.

Given that this is for a blog, what role has technology (the internet, your website, etc.) played in the success of your business?
Well, it has exposed us to the entire world. Anybody, anywhere with a little electricity, an internet connection or a smart phone can look at our inventory and buy from us. Think about it: prior to the establishment of the internet, most guitar dealers sold their gear from a store and if they did have any national or international exposure, it would have been through magazine advertisements. Now, you can place a banner on a forum and be seen by literally millions of visitors to that forum a year.  I once sold a 1967 Stratocaster to a gentleman in Belgium from my Blackberry, sitting in the parking lot of a local post office. You couldn’t do that ten years ago.

Is there a general trend to the people who purchase from you, in terms of how skilled or experienced they are?
The majority of our clients are professionals, serious collectors and higher- end musicians. They know their stuff when they call, they like what they see on our website so generally, the only thing left to discuss is price. The gear we have speaks for itself.

What advice would you give to somebody looking to purchase a guitar from you?
If you’ve never heard of us, check us out. Another important aspect of the internet is, if you consistently perform at a high level, people will say so. The various forums have become powerful mediums and people all over the world talk about their purchases, experiences, etc. If you make just one person unhappy, they will certainly say something about it somewhere. Your reputation is the most important thing your company can have. It’s everything.

Any famous last words?
Sure. It’s a Latin saying: “audentes fortuna iuvat, which means “Fortune Favors the Bold”. Or, on a lighter note, Two Elks are always better than one…

In 2010 V&R visited Arlington Guitar Show and Ray was kind enough to introduce us to some of his pieces: (The interview with Ray Mauldin starts at 1:43)

A selection of Grinning Elk pieces:
Korina Explorer R9
Gibson ES330T
Rickenbacker 660/12 Tom Petty
Gibson USA map guitar

The Jobfactory Musicstore Interview with David Max from JFM.

The Jobfactory Music Store from Switzerland specializes in the sales and service of Electric and Acoustic Guitars, Bass`, Effect generators and Amplifiers. We had a little chat with CEO David Max about the “Best Guitar Shop in Town”.

Hi David, thank you for taking your time to talk to us. Could you please tell as a little bit about The Jobfactory Musicstore? Where are you located?
The JFM is located in Basel, Switzerland, in the Dreispitz section of town close to the borders of France and Germany. The musicstore has existed for almost 8 years. I have been a member of the team for almost 3. The store is owned by the Jobfactory AG, a company who’s core purpose is to help young people find careers paths through schooling, training and apprenticeships. We have 2 apprentices currently, both studying retail sales, as well as being aspiring musicians. The store is designed to cater towards all levels of guitar player, beginner to professional, and all tastes, from the basic to the boutique. Pawn shop to Custom Shop!

What initially led you to set up a music store, and when was that? We heard something about a girl, New York etc…could you elaborate on that?
I am originally from New York. My wife and I met there, due to circumstances revolving around Sept. 11. She was doing a Masters Degree program there. We became engaged some years later, and decided to start our family in her home town of Basel. I came without any clue as to how I could make a living. However, my experience in the music industry, as a player and a salesman, payed off and I was lucky enough to find myself with a beautiful little store to run.

In EU the current Gibson case “lacey act” has gotten a lot of attention, what is your perspective on shipping between US & EU? Have you had any problems regarding this case so far?
These are really two separate issues. As far as I can tell, the Lacey Act has been a very effective Environmental protection control originally designed to prevent American companies from trafficking in illegal materials. However, it seems that this law has been perverted by the US government for unknown reasons to go after Gibson, and the rumour is, other companies are next. I believe the Lacey Act itself to be a good law, however there needs to be some simple common sense amongst our government officials. And if they do not begin to go after other guitar companies, then it seems that, for some reason, someone with power has an ax to grind with Gibson.

The second question, about shipping between the US and Europe, is really a question of free markets, which I believe in, as long as they are properly controlled. Free Market Capitalism works, as long as people play by the rules. It’s the cheaters that ruin it for the rest, and cause huge economic meltdowns. But the markets are fixing the problem, and hopefully after many years to come of economic pain, better controls and support of the controls that bring the concept of currency in line with the concept of tangible value and not speculatitve value will be instituted world-wide. I think that if I can buy something cheaper in the States or in China than I can in Germany, for example, than I should be free to do so. Competition, when the rules are followed, brings out the best in people.

What do you consider the biggest challenge for dealers of music instruments today?
The biggest challenge is serving the customer well enough, and making the shopping experience satisfying enough, that he would rather pay more money for a product that he could be buying from a huge, totally impersonal corporation that can buy in bulk, at a lower price. Without the ‘Mom and Pop’ stores, the music industry, including the ‘big boxes’, will suffer greatly. The small shops remain the ‘life-blood’ of the music instrument buying public. When they go, so does the culture. Do you play music yourself? If so, what do you play, for how long have you been doing it? I have been a guitar player and singer-songwriter for over 20 years. I have recently finished my tenure as lead guitar for Psychic TV (www.myspace.com/ptv3) and released my first solo album (www.davidmaxxx.com) I am now working on the follow up with my new band, The Sons of the Void.

We have watched a video of your store and you have a great variety of instruments. How do you choose what instruments to carry?
It is a combination of the local demographic, that is what people in and around Basel are into and talking about, and what kind of bands are emerging amongst the youth, with a dose of the ‘traditional’ sensibilities of older guitarists mixed with the tastes of myself and the sales staff. No one sells anything better than the thing that they themselves are taken with.

Do you have any personal favorite vintage guitars in your shop? If so, why is said guitar your favorite?
I have a lovely Gibson ES 225T 1957. The neck and perfect fret wear make for an incredibly playable instrument that just kinda melts all over you as you play it.

Given that this is for a blog, what role has technology (the internet, your website, etc.) played in the success of your business?
Not as much as one might think, simply because we have been mostly focusing on the local music community here, in which word of mouth means a lot more than internet presence. That being said, we have begun selling more consistenly on-line, as well as building a presence in the traditional, ebay, facebook, linkdin kinda way, and of course, the brilliant idea that is vintageandrare.com.

Is there a general trend to the people who purchase from you, in terms of how skilled or experienced they are?
I definetly see more and more young people wanting to learn guitar. It is somehow a more accepted and attainable goal than it used to be. Its more a facet of the collective consciousness and less of fable or dream.

What advice would you give to somebody looking to purchase a vintage guitar?
Take your time. Do your research, know as much as you can before spending a lot of money, and be clear about why you are buying a vintage instrument over a new one. Vintage instruments can be a burden as well as a blessing.

Any famous last words?
Money can’t buy happiness, but it sure can make being sad a whole lot easier.