Jason Becker, ALS and a musical journey

As many of you might have noticed, there is at the time of writing a increased awareness of the horrific illness known as ALS (Amyotrophic lateral sclerosis) due to the incredibly popular ALS Ice-bucket challenge that is popping up all over the internet. While we here at Vintage & Rare have not (yet?) participated in the ice-bucket challenge, we of course support the idea of raising awareness and charity for the ALS cause. As a way to meet that idea and the concept of Vintage & Rare we will now dedicate this blog entry to the story of Jason Becker.

Jason Eli Becker as he was born, was one of the great guitar prodigies of the 1980s metal and guitar scenes, nothing short of a wonder child that everybody expected to become the next guitar god, in the veins of Eddie Van Halen, Steve Vai and Joe Satriani. Becker started to play at an early age and quickly showed great talent, and at age 16 he joined his first band, the neo-classical metal band Cacophony. Though the bands two albums features both bass, drums and vocals, the focus of the band was always the guitar sounds of Becker and second guitarist and guitar-master Marty Friedman (of later Megadeath fame). In his teenage years before that Jason Becker had garnished local fame by playing at various talent shows and open mic events, showcasing his already incredible guitar-talent. Though the band only released two albums, as mentioned above, both releases showed the world the great talent that Becker possessed. When Cacophony split apart, Jason Becker spend a short time as a freelance artist before auditioning for The David Lee Roth Band.

Becker was accepted into the band, and it was the beginning of what everybody believed would be the beginning of Becker’s real ascendance into stardom. However just as the band was finishing up on the recording of their newest album, Becker was diagnosed with ALS. Though he managed to record the album, the illness progressed so aggressively that he was forced to quit the band just prior to the tour to promote the album. Over the next years Becker’s condition gradually worsened, but though he had a few near death encounters due to his illness his family and him refused to give up, and over the years they have created a technique that enables Becker to continue to play music. Even though he can no longer play an instrument or perform in a traditional sense, a clever system and a system of electronic equipment, helpers and software enables Becker to compose and arrange musical pieces of any kind. Though the sheer tenacity of his family and of himself, Becker have continued to release albums, always creating more advanced and symphonic pieces.

A few years ago a documentary was released, telling Jason Becker’s story in more detail. The documentary is called “Not Dead Yet” and the trailer can be viewed below. It a beautiful and sad story of a young man with everything to prove and of a man who will not let anything get in the way of his creative output, ALS or anything else. Though he might not have played especially vintage nor exotic instruments, the genius of Jason Becker should not be forgotten, nor should the incredibly will he shows and is symbolic for be ignorer. The amazing will to keep on going shown by ALS patients is truly inspiring and we will encourage all to spread awareness and/or donate to the cause.

For more info on ALS go here.
For more info on Jason Becker’s movie Not Dead Yet go here.

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Joe Satriani, Chrome Boys and Vintage Guitars

Joe Satriani is a pure legend when it comes to the guitar world, and it isn’t the first time we have focused on him on this blog (and who’s to say this will be the last time?), not only due to his amazing talent, his ingenuity and studio and live-performance legacy, but also due to the fact that he have been an influential teacher for many other guitar legends throughout the years. A self proclaimed Jimi Hendrix fanatic, Satriani have played guitar for more than 40 years now, for a large number of bands, and have due to his pure talent and constant need to evolve as a musician always been able to keep up with the rest of the world, almost consistently having all of his albums reach to rock billboard charts, a feat few instrumental focused artists can achieve in that genre.

Joe Satriani made up his mind and chose to pursue a career as a professional guitar player on the moment of receiving the news of Jimi Hendrix’s death, and spent the next couple of years completing his education all the while constantly practicing his skills. In 1978 he moved to California where his career as a guitar teacher and professional performer truly began to take root. 11 years later, after performing for a number of groups of various sizes, Satriani released his first solo album. The album was in part paid for the money he earned by touring with Mick Jagger in a period, and the combination of this, paired with his former students beginning to achieve fame as well and then in beginning to talk to the press and public about where they have received their training from gained Satriani quite some attention from the public. Though never a big rock star in the traditional way, his tenaciousness, talent and always working – always touring life ethos have ensured that Satriani is still a much beloved artists, currently playing in the supergroup Chickenfoot and playing and recording as a solo artist. Having put a considerable number of famous artists collaborations on his resume since the late 80s.

When it comes to guitars it at first appears as if surprisingly simplistic in his choice of guitars, mainly playing his own signature Ibanez JS series both when recording and when playing live, whether it be for his solo project or with Chickenfoot. And though the Ibanez JS series is in no way uninteresting – it features a series of rare chrome covered guitars after all – when one digs a little deeper it becomes apparent that like most guitar enthusiasts, and as a true Hendrix fanatic, Joe Satriani does indeed possess a sizeable collection of vintage guitars and rarities.

Here at Vintage & Rare we think that both the strange story of the Chromeboy Ibanez guitars as well as Satriani’s vintage collection deserves some room, and to that end we will now share some thoughts on both subjects. Here’s to hoping you’ll like it as much as we do!

The Ibanez JS series started off as a prototype model, modified from the Ibanez 540 Radius model, that Satriani originally endorsed in the late 80s, however when Ibanez approached him in regards to producing his own signature series, the collaboration led to the JS series replacing the Radius model completely. The main difference between the two series was originally the different pickups used, but there have since been made greater chances, both in regards to the body composition, the cutaway as well as the electronics. The JS series have also mainly been using DiMarzio pickups, and ever since Satriani got his own signature pickups from DiMarzio, the JS series have also featured these as the standard pickup of choice for the various JS guitars. For some people, the most interesting part of the story about the JS series is the Chromeboy versions of the series. Made in two generations, the Chromeboy guitar, have since then become a minor rarity, as there was only released a relative small amount of models of each version, both of which are prone to catastrophic breakdowns. As the name implies the Chromeboy guitars were actually chromed, i.e. that the body of the guitars were dipped in liquid metal that then covered the entire body. This method was highly controversial, due to a number of reasons. First and foremost the process is extremely difficult, especially on such a curved body, not to mention the difficulty in getting the metal to stick to the wood without destroying the body in the process. Besides this the process is also quite toxic, and potentially dangerous to the people involved in the process. Finally, the instability of the metal/wood combination leads to a high risk for fractures and cracks, all of which are extremely sharp and almost impossible to mend probably, leading to many a bleeding guitarist – something that everybody is keen to avoid! Though the chromeboy versions are now collector items, the regular JS series have instead become a staple product for Ibanez, and various new versions of the guitars are still being produced, all in close colaboration with Joe Satriani himself.

However, even though Satriani most often plays on his own signature series, it doesn’t mean that he only owns and only plays the Ibanez JS series. He does collect other kinds of guitars as well, but always with a very specific mindset. If he does not feel that he can play the guitars to the ability which he desires, then he has no problem with selling the guitar off again. While this might sound maddening to many collectors, there is a pureness to this mentality. Why rob other people of the opportunity to own these fantastic guitars, if he gets no joy from simply possessing them. For a technical innovator and workaholic like Satriani, having a guitar and not being able to play it properly seems to be an out of this world thought. As such his collection of rare and vintage instruments often reflects either the pursuit of a specific sound or a need for emulating they way some of Satriani’s idols played. His collection includes such rarities such as a 1948 Martin 000-21 acoustic guitar, 3 Gibsons from 1958 ( one Les Paul Junior, one TV Special and one L-5CES) as well as a beautiful 1966 Fender XII that Satriani likes so much that it have featured on almost every album he have been on since he procured the guitar.

No matter what he plays on we will be happy and content as long as he keeps up the tempo and value he have become famous for, and we hope that Joe Satriani will continue to create and inspire new works of guitar masterpieces.

For more guitar extravaganza visit Guitar world on youtube or on their webpage.
For more rig rundowns, visit Premier Guitars youtube channel or visit their homepage.
For more Joe Satriani videos, visit his fan-community youtube channel here, and if you just need more Satriani in general visit his webpage here.

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Jeff Beck and his favorite guitars

There are few people in the world of guitar lovers, collectors, fanatics and players that haven’t heard the name Jeff Beck before. Though he may never have reached the same levels of commercial success as many of his contemporary guitar-masters, there are few people who can claim the same level on influence on how we view and uses guitars to this day. In many areas Beck have single handedly revolutionised the way people thought about and played guitars, and with such a legacy it comes to no surprise that most fans and guitar lovers have a keen interest in the instruments he uses, why he uses them and to what ends. In the following video, taken from the DVD “Jeff Beck’s Rock’n’roll Party”, Beck talks about some of his most beloved guitars, why he owns them and how he got to possess them.

What is perhaps doubly interesting is the fact that most of his prize guitars, as well as those he bring with him on tour these days (and have for the greater part of his career) is simple, unadorned and mostly unmodified Telecasters and Stratocasters. In fact, as shown in the video to follow, on his last tour he only brought four guitars, all of them Stratocasters! The reason to this seems to be manyfold. As shown in the video above, he is well aware of the nuiances that can come from using different kind of guitars, and how when reaching for something very specific, sometimes you just got to have an equally specific instrument to reach that sound. However as Beck also point out, what the reason behind having rack upon rack of guitars on stage on every tour when you don’t play half of them, nor utilise them to their full potential?

To Jeff Beck that is exactly why he for so many years have almost exclusively gone for the Telecasters and Stratocasters when it comes to recording and touring, more often than not only using the more “exotic” guitars at home or when special occasions called for it. As he puts it in many interviews, his favorite Stratocaster feels more like an extension of his body than an instrument. So while the Gretsch Rancher from The Blue Caps might have a special place in his heart and the Gibson L5, Gretsch all have a fantastic and very specific sound, and though it might feel perfectly fine to use a wonderful Maccaferri from Jimmi Page, how can one say no to the Stratocaster after so many years of near perfect symbiosis – and when you on top of that own one that used to belong to John McLaughlin – it really can surprise no one that Beck sticks to what he knows. What is almost even more impressive than his loyalty to such a well worn guitar is the things he have done with it in his hands. The list of musical genres he have helped inspire and create is truly incredible, and when one with such talents have played for more than 60 years, it is no wonder that his influence reaches as far and as wide as it does. From being an ambitious rock’n’roll guitarist himself, inspired by the creators of the genre, to being one of those people that others emulate and whose talent surpasses almost any other living guitar player (named the 5th best guitar player of all time by the Rolling Stone magazine), all we can hope for is that he continues to influence guitarist around the world as he always have, and that his playing style will continue to influence the music business to create even greater instruments.

For more rig rundowns visit Premier Guitar on youtube.
For more on Jeff Beck, visit his official homepage here.

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Musical Mastermind and Guitar Nerd at the same time: Joe Bonamassa

When Joe Bonamassa first started his career at age 12, few would have believed that it would carry him this far. Though he was from the very beginning viewed as something of a prodigal son for the blues genre he would later become a master of, few indeed could have guessed how massive his success and talent would become. Bonamassa, son of a guitar player and dealer, first became noticed by the wider blues community when he was around 13 years old, due to two things: First, and most importantly; he got a gig, opening for B.B. King – something almost unbelievable, considering that Bonamossa was an unknown teenager at that time, and secondly, his opening act for King ensured that he was featured in the american TV show Real Life with Jane Pauley, which was shown all over the US at that time.

During the next couple of years he would play in the band Bloodlines, which consisted of the sons of famous and exemplary music stars. The group released a single album before parting ways, paving the way for Bonamassa’s solo career. A few years later in 2000 he released his first solo studio album and it seems that he has in now way slowed down ever since releasing 23 albums and 9 video albums since then, which comes to an average of more than two albums per year! Having partnered with his studio-producer and his very first manager to create his own label J&R Adventures, Joe Bonamassa have found his own alternative to the established music business, and as such his rise to stardom have been harder but more rewarding (at least according to himself), and his shows at the Hammersmith Apollo, the Vienna Opera House and other venues all over the world shows that he has indeed come out on top. Touring for about 9 months each year, all the while managing various trust funds and charity organisations to further musical endeavours for youth all around America plus writing and recording new material, one could easily believe it when people claim that he is the busiest of guitarists out there.

Speaking of guitars it quickly becomes apparant that Joe Bonamassa prefers one type of guitars beyond all others – Gibsons. And though the Gibson range in general seems to appeal to him, and though he in no way exclusively owns or plays Gibsons (in a recent interview he claimed to own more than 300 guitars!) there can be no doubt as to what his favorite type of guitar is after watching the rundown of his rig – The Gibson ’59 Standard.

And from the man himself:

Though most collectors would give their right arm to get to own a Gibson Les Paul ’59 Standard (or from €224859/$300906 and upwards to at least €579095/$775000) it is a testimony to Joe Bonamassa’s success that he owns no more than three of them! The famous guitars, known to be among the most expensive guitars in the whole world are not only part of a collectors passion, or a stable of iconic symbols for the blues and rock culture, they are a rarity that most guitar fanatics treasure above almost any other instrument. However to Joe Bonamassa they are even more yet; they are also instruments. Not a single of his treasured 59′ Les Pauls are left sealed away in a treasure chamber as one might expect. Instead he records and tours with them, claiming that not to use them would be the real waste, as their unique sound and the associated imagery that they carry should be shared with as many as possible.
Though many might consider this to challenge fate, Bonamassa have taken his precautions, among other things hiring an ex-secret service employe to guard his guitars. One thing is certain, as long as he handles them with care, we here at Vintage & Rare are pleased that Bonamassa is generous enough to share the wonderful sound of such great instruments with the world at large!

For more of Premier Guitar’s rig rundowns check out their youtube channel.
For more great videos, equipment walkthroughs and much more visit Musicians Friends’ youtube channel here.
For more Joe Bonamassa videos, visit his youtube channel,
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Claudio Sanchez and the beauty of the Explorers

Though Claudio Sanchez, famous for his role as frontman, singer and guitarist of prog-rock/metal band Coheed and Cambria, is widely known for his vocal range and the bands wild solos some might be surprised by the setup of his guitar rig.

While his collection of guitars might be relatively big he sits apart from many other guitar enthusiast, in that most of his guitars, both studio guitars and the ones he brings with him on tour when playing with his band are more or less unmodified stock guitars, neither custom made nor made to taylor in any way. As it is, most of those guitars that Sanchez employs are modified, but mainly with minor pickup changes and even this is mainly due to maintenance, or relatively minor changes to the original layout of the guitars. In today’s blog we will take a look at the reasons to why such a talented guitarist might choose to employ such “standard” stock guitars, and why Sanchez mainly uses Gibson guitars.

The Gibson Explorer was originally released in 1958 alongside the Flying V model, both having a futuristic look about them, and the Explorer was originally a evolved version of the Futura model. Initially unsuccessful the Explorer was discontinued in 1963, but when other companies began having success with guitars with similar body work in the mid 70s, the Gibson Explorer was reintroduced. During the next 5-10 years the Explorer achieved great popularity among the hard rock and heavy metal scenes around the world. Made famous by a large number of rockstars, and with a body-shape that is distinct and easily recognizable it is no wonder that the guitar became quite widespread it its use.

When asked about his choice in guitars Claudio Sanchez offers a very simplistic and practical reason as to why Gibsons and especially the Explorer have become his go-to guitars, both in and out of the studio; Back when Coheed and Cambria first began touring extensively his old guitar, a banged up Gibson SG, almost fell to pieces quite literally, he needed a replacement guitar – and fast. The choice fell upon the Explorer due to four simple reasons: It was light weight, easy to use, comfortable to hold at length during shows and finally it had a look about it that fitted together with the theatrical visions that Sanchez had for his band. Following this strain of thoughts it also makes great sense that most of his Gibsons are reissue models, copies of the vintage guitars that made the series famous in the first place.

When reviewing all of Sanchez’ tour guitars it becomes clear that this is a viewpoint that have carried over to his guitar selection in general. Having 3 almost identical Explorers in his rig, seems almost redundant, however it quickly becomes clear that all of his guitars are chosen from either a practical viewpoint – they are tools of his trade as much as instruments he love – or they are beautiful theatrical instruments that all can fulfill very specific roles within the bands discography. Good examples of this are his Gibson Doubleneck SG guitar and his Minarik Medusa Custom guitars (not featured in the videos above), which all have a extravagant look to them, yet with all carries a unique sound, not easily replicated in harmony with the rest of the bands music.
All in all it paints a clear picture of a great understanding for the capabilities of both Claudio Sanchez as a experienced and talented guitarist, but also of a man who has a clear vision of what a specific guitar model is capable of delivering.

For more rig rundowns visit Premier Guitar’s youtube channel.
For more Coheed and Cambria videos, visit their youtube channel here.

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AC/DC: Malcolm Young and his Gretsch Roc Jet Guitar

A couple of weeks ago, some of you might have noticed that guitarplayer.com posted an article on a Gretsch Roc Jet guitar (1971), previously owned by Malcolm Young of AC/DC fame, which we had for sale here on the site. With the guitar having been sold a few days ago, we thought it would be interesting to have a look at the history of AC/DC, Malcolm Young and his guitars.

1971 Gretsch Roc Jet Malcolm Young owned-3

No matter how you look at it, the story started in November 1973, when the Young brothers, Malcolm and Angus formed the band that would soon be called AC/DC. When vocalist Ronald Belford “Bon” Scott replaced original singer Dave Evans in 1974, the first epoch of quintessential AC/DC history truly began. Bon Scott infused the band with a lot of the lyrical of visual imagery that they are famous for, and his punch-in-the-gut attitude and vocals were in perfect harmony with the vision the Young brothers had for the group. The first three years with Bon Scott as frontman proved successful, and though the band were still in its formative years, this period laid the foundation for the massive international success that would follow in the years to come. The years 1976-1980, shortly after AC/DC signed with Atlantic records, proved to be some of their hitherto most successful yet, with their popularity seemingly unstoppable in its rise, despite various problems, such as new bass players, and being linked to the Punk scene by the UK press. However AC/DC powered through all of this, and it was only in 1980 that they met the first real show-stopper of their career. When Bon Scott died in 1980 due to alcohol induced circumstances, many believed it to be the end of the band, and AC/DC themselves also considered breaking up the group. Yet when they were spurred on by Scotts parents they realised that he would have wanted the group to go on, and then began the hunt for a new frontman and singer, not to replace Bon Scott but to fill the place in the band he had left vacant.

Brian Johnson was found to be a suitable new vocalist, and with him the band recorded the album Back in Black, an album which functioned as both a tribute to Bon Scott as well as a clear signal of the bands continued power and energy. Though the band continued to rise during the next three years, the period 1983-1987 signalled a decline in commercial success, even though the group continued to play for huge crowds around the world. The next seven years was spent regaining the previous success and popularity of their former glory, and there can be no doubt about the success of this endeavour. Since then it seems that AC/DC have been on a continually ascendant, and the five studio albums released since then have all become platinum releases many times over. A notable example of the bands fame was their show in Russia in 1991, when the played for an estimated 1 million people! The Young brothers and Johnson have continued to drive the band ever forwards, and just a short while ago they finished recording their latest album. However more on that and the bands current status a bit later. First a nice little video and a talk about some lovely guitars.

The way Vintage & Rare came into contact with AC/DC and Malcolm Young this time around was due to a seller contacting us wanting to sell his 1971 Gretsch Roc Jet guitar that have been previously owned by Malcolm Young. The guitar does actually have a nice little story behind it and is also a beautiful and genuinely nice musical instrument. The seller of the guitar was nice enough to explain the story of the guitar for us:
“My father met Keith Evans (known as Evo) to buy a jukebox, as that’s his trade (jukesofstafford). He was buying a jukebox that turned out to once belong to Bill Ward of Sabbath, as Keith was a guitar tech for them plus AC/DC (…) As my father is also a guitarist, he got talking to Evo about guitars & he mentioned selling the Roc Jet that Malcolm Young had given him after a US tour. He said it was destined for spares originally but Malcolm liked playing it, using it mainly in sound checks, and gave it Evo as a gift at the end of the tour (…) I bought the guitar in original case, only changing the plastic pickup surrounds which were cracked, although they were replaced with genuine US Gretsch spares.”

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Though it is lovely to tell the story of such a great band and such a beautiful instrument, there is also a certain sadness to the subject of AC/DC these days. Even though the band have just recently finished recording their next album, the plans for a 40 year anniversary tour and the general future of the band is subject to much scrutiny following the long term sickness of rhythm guitarist Malcolm Young. Having issued a formal break from the band via their official homepage, the internet is rife with rumours about the band disbanding and similar bad news. However following the completion of the recordings of the new album, frontman Brian Johnson have multiple times stated that Malcolm’s departure is only temporary, and that they have high hopes for his recovery. Johnson have also said that they have considered naming the album Man Down in reference to Malcolm’s absence.

Here at Vintage & Rare we of course respect AC/DC and the Young families wishes of further privacy regarding Malcolm’s illness, and wishes him and all the members of the AC/DC family all the best for the future, with high hopes for more shows, incredible rock and even more fantastic guitar handling in the future.
We look forward to the next great album, and hope that you will indulge our fascination with this little article springing from a curious guitar sale.

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Steve Vai and his Ibanez partnership

Steve Vai, guitarist supreme, a man who was called a “little Italian virtuoso” by Frank Zappa, is a man who if any, has an intimate relationship with his guitars. In the mid 1980s Vai struck a deal with guitar production company Ibanez, a relationship that have lasted ever since, and which have spawned a series of guitars that have since become the staple for many guitarists around the world, from happy amateurs, to serious collectors and heavy metal super stars.

The story of the relationship between Steve Vai and Ibanez all starts in 1985 when Vai joined the supergroup David Lee Roth formed after his departure from Van Halen. Vai was to be the main guitarist in this group and his sudden explosion on the world guitar scene as one of the most famous and recognized faces made it clear that he needed some newer and more flashy gear. Having played for a couple of years with hand build prototypes, Steve gave each of the guitar companies that wanted to endorse him a specific set of plans for the guitar he wanted. Only Ibanez complied with a guitar build almost exactly to Vais specifications, and within months the Ibanez JEM series was born as a result. Officially released upon the world in 1987, the Ibanez JEM series featured a number of unique elements that was not to be found in other guitars at that time, from the unique whammy bar, the way the pickups were arranged, to the handle cut in the body work; lovinging referred to as the monkey grip.

However the story doesn’t end there. With the JEM series being a signature series, most of the various versions of the JEM guitars are in limited numbers, with a few series being the exception, most notably a cheaper Korean version. However what is most interesting are the versions of the JEM guitars that are truly rare and unique. The two most famous versions of the JEM guitars is most likely the JEM2KDNA and Steve Vais personal go-to guitar the EVO. The original JEM777 series was the first ever JEM series available, with 777 models released, however stranger and more exclusive version of the JEM have since been created. Among those are the JEM2KDNA guitars, of which only 300 were only made. Though the guitar in an off itself is just a classical JEM guitar in regards to the parts that it is constructed of, however the paint is truly unique, as it is made from 1:8 parts of Steve Vais own blood, and painted with a dip and drip method; ensuring that each guitar is truly unique, as well as creating a (albeit slightly weird) bond between the owner of the guitar and Steve Vai.

Finally there is the JEM EVO guitars, of which only 100 were released, and steve way being in possession of additional 2 more models; the original, and one of the clones. We say clones because this series of JEM guitars are all made to be as identical as possible in any way to Vais own original EVO guitar, his longest lasting JEM guitar, which have seen use at countless live shows, recordings and so on. 100 copies were made, all hand signed by Vai, and released for collectors to seek out.

Though most of the JEM guitars differs mostly from each other in their looks more than in the way they sound, there are notable differences between the older and newer models, with changes having been made both in regards to the wood and other materials used to produced the body of the guitars as well as different types of pickups used for various series of JEMs. However this is all part of the plan, as Vai’s wish have always been to have a series of guitars available, that will sound more or less the same, no matter where you pick up a new model. For the same reason, almost all of the JEM guitars uses Dimarzio pickups, and have the same fret arrangement and whammy bars.

And even so, sometimes there is need for something completely different. In 1990, Ibanez released the very first Ibanez Universe guitars, also made in close collaboration with Steve Vai. What makes the Universe series markedly different from the JEM series, is that even though it resembles the JEM series closely there are two defining elements that really sets the Universe apart: first it lacks the signature monkey grip of the JEM guitars, and second it boasts a second string, making it a 7-string guitar, a feature that at its release was highly unusual.

Since then a number of different JEM and UNIVERSE series have been released, and both of these brands of Ibanez guitars are still going strong, proving that the partnership between Steve Vai and Ibanez have produced more than just a couple of beautiful guitars, they have also produced a high quality series of instruments, for musicians and collections around the world to enjoy.

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Mayones Guitars & Basses Frankfurt Messe New Stuff

At Frankfurt Messe 2013 we met up with Mayones and talked about the new models that they brought to the show.

See more great handbuilt guitars and basses on Vintage & Rare here

See pics from Mayones booth at Frankfurt below

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Mayones Guitars & Basses / Frankfurt Messe 2013

Mayones Guitars & Basses / Frankfurt Messe 2013

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Mayones Guitars & Basses / Frankfurt Messe

Mayones Guitars & Basses / Frankfurt Messe

 

 

1960 Gibson Les Paul Standard Burst

At Copenhagen Guitar Show 2013 we came across a very beautiful, rare and highly sought after 1960 Gibson Les Paul Standard Burst, Serial #02170. At the time it was for sale through swedish vintage guitar dealer Anderson Anderson. Anders has been collecting Bursts since the 70´s and is known as one of the premier vintage guitar dealers in Scandinavia for highend and collectible vintage guitars.
The 1958 – 1960 Gibson Les Paul Standards are the most collectible guitars within electric solidbody category.

Hope you will enjoy the pics and the video we did with Anders on this guitar from the show as well. The video starts with Anders showing us the 1960 Burst

See more beautiful vintage guitars on Vintage & Rare here

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1960 Gibson Les Paul Standard Sunburst

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1960 Gibson Les Paul Standard Sunburst-8

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