GOTGUITARS – a fair for those who love guitars and music.
Welcome to buy, sell, be inspired, or dream.
Date: 25–26 March 2023
Time: Saturday 10 am–6 pm, Sunday 10 am–3 pm
Location: Auktionsverket Kulturarena, Gothenburg, Sweden
In 2022, the Gothenburg Vintage Guitar Show was a success! In 2023 we aim higher and therefore changed our name to GOTGUITARS to include even more guitars and music.
Established traders and private individuals are equally welcome. Everyone is allowed to sell and buy guitars and guitar gear. As a private, you must purchase a VIP ticket to bring an instrument to trade.
Welcome to buy, sell, be inspired, or dream.
The Auktionsverket Kulturarena can be found at the beginning of Tredje Långgatan, seen from Järntorget.
Långgatorna and Långgårdarna are old harbor quarters now Gothenburg’s most vibrant neighborhoods. Food, drinks, and coffee will be available next to the venue.
Please contact gotguitarshow@gmail.com or +46708134404 for further info.
Leif Lundback, co-show organizer and founder of No.1 Guitarshop
Team V&R visited the show in 2022. Here are a few video interviews we did with exhibiting dealers:
We recently returned from an absolutely incredible weekend at the Great Scandinavian Guitar Show held at Fryshuset in Stockholm. Once again, we had the pleasure of immersing ourselves in the vibrant atmosphere of the guitar community and reconnecting with both familiar faces and new friends. The event proved to be a haven for guitar enthusiasts, showcasing an impressive array of musical treasures.
One of the highlights of the GSGS was undoubtedly the presence of numerous dealers who had meticulously curated an assortment of fantastic vintage instruments. It was a joy to witness the vast selection of guitars, ranging from classic Fender and Gibson models to rare and exotic specimens that seemed to hold a piece of music history within their well-worn bodies. As I meandered through the exhibition hall, each instrument beckoned me with its distinct charm, whispering stories of past performances and the talented hands that had plucked their strings.
However, the GSGS was not just a celebration of the past, but also a testament to the creativity and innovation of contemporary guitar builders. The workshops were abuzz with activity as artisans showcased their craftsmanship by presenting a wide range of stunning new guitars, amplifiers, and pedal designs. It was clear that these builders poured their hearts and souls into their work, pushing the boundaries of design and functionality to create instruments that not only looked breathtaking but also produced awe-inspiring tones.
The guitars on display were truly works of art, with intricate inlay work, flawless finishes, and ergonomic designs that catered to the needs and preferences of discerning players. Each instrument seemed to possess a distinct personality, resonating with its own unique voice. From elegant archtops to sleek and modern solid-body guitars, the diversity of styles catered to a multitude of musical genres, ensuring there was something to captivate every player’s imagination.
Accompanying the guitars were a plethora of amplifiers and pedals, engineered to shape and sculpt the perfect sound. The amp manufacturers showcased an impressive range of options, from vintage-inspired tube amps that exuded warmth and character to cutting-edge digital models that boasted a plethora of customizable features. The pedal designers, too, left no stone unturned in their pursuit of sonic excellence, offering innovative effects units that expanded the sonic palette of guitarists, pushing the boundaries of creativity and expression.
Beyond the sheer variety of instruments and gear, what truly made the GSGS special was the camaraderie and sense of community that permeated the event. The guitarists, whether professionals, enthusiasts, or aspiring musicians, came together to share their passion, knowledge, and stories. Conversations filled the air, and the sound of impromptu jam sessions could be heard in every corner. It was a space where friendships were forged, collaborations were born, and the spirit of music flourished.
As we reflect on my time at the GSGS, we can’t help but feel a renewed sense of inspiration and excitement for the world of guitars and music. The event reminded me of the timeless allure of vintage instruments, the limitless possibilities of modern craftsmanship, and the unifying power of music. It was a celebration of the past, the present, and the future of guitar playing, and I left with a deep appreciation for the artistry and dedication that goes into creating these remarkable instruments.
Until the next GSGS, we will hold on to the memories of this weekend—trying out extraordinary guitars, marveling at the creative designs, and connecting with fellow guitar lovers. The experience reaffirmed my belief that the guitar community is not just a collection of individuals, but a supportive and vibrant network that fuels the passion for music and fosters a lifelong love affair with the instrument.
1968 Fender Esquire in Lake Placid Blue
Sonnemo Guitars
Friedman Guitars at No.1 Music Shop
Soulman Pedalboards
Lundgren Guitar Pickups from Sweden
Peter Westerberg
Johan Lundgren
Stevie Klasson with a 1952 Gibson Les Paul Goldtop
1962 Fender Stratocaster in original custom colour, Sonic Blue
1962 Fender Stratocaster in original custom colour, Sonic Blue
1958 Gibson ES-335 Dot Neck Sunburst
1958 Gibson ES-335 Dot Neck Sunburst
1957 Gibson Les Paul Goldtop and 1958 Gibson ES-335 Dot Neck Sunburst
1957 Gibson Les Paul Goldtop
Peter Westerberg
Jacobsson Guitars
Jacobsson Guitars
Herlin Guitars
Herlin Guitars
1956 Fender Stratocaster from Halkans RockHouse
All photos were shot with Leica Q2 and edited in Lightroom.
It was big excitement and anticipation that we in April 8 & 9th, 2022 went to Sweden for the first edition of the new guitar show in Scandinavia: Gothenburg Vintage Guitar Show.
The show is located in an old auction house house from the 18th century. Very beautiful facility and located in the center of town.
All photos shot with a Leica Q2 and edited in Lightroom.
1965 Fender Custom Telecaster from Woodstock Guitars (sold)1965 Fender Custom Telecaster from Woodstock Guitars (sold) 1990s Electro Harmonix Deluxe Memory Man from Woodstock GuitarsKumerle Amps. – Swedish high-end boutique amps. Fun & talks at the booth of Kumerle Amps The booth of Nordin GuitarsNordin Guitars Nordin Guitars Leif Lundback, co-show organizer and founder of No.1 GuitarshopJonas Axmark from Jam Gitarrer and Italian vintage collector, Roberto ColaInterlude Fredholm GuitarsFredholm GuitarsFredholm GuitarsFredholm GuitarsLuthier on Luthier: Thomas Fredholm talking to Emily Gwynne. 1970 Gretsch 7620 Country Roc from No1 GuitarshopLeif from Sweden Guitarworks and Umeå GuitarshowSweden GuitarworksSweden GuitarworksNiklas and his wife from PUP GalleryAnders Anderson – was one of the earliest sellers to join V&R in 2009.Fredrik Sjöberg with a 1959 Fender Stratocaster. Fredrik is business partner with Anders Anderson. Visit their store on V&R here1948 Levin Deluxe from Anders Anderson
1948 Levin Deluxe from Anders Anderson1966 Fender Telecaster from Anders Anderson 1966 Fender Telecaster from Anders Anderson 1963 Fender Stratocaster Olympic White from Anders AndersonSwedish vintage guitar aficionado, Stefan Lindholm with Per Ørum from Copenhagen Guitar ShowMain hall during performanceThis spectacular guitar built by Swedish luthier, Sina Harthaus, sparked a lot of interest on the showBuilt by Swedish luthier, Sina Harthaus Guitars. Built by Swedish luthier, Sina Harthaus Guitars.Built by Swedish luthier, Sina Harthaus Guitars. 1965 Fender Jaguar in custom color Fiesta Red. 1965 Fender Jaguar in custom color Fiesta Red. 1964 Fender Stratocaster in Sunburst. 1964 Fender Stratocaster in Sunburst Gentleman doing stuff on the phone Fredrik from Fred Ash Guitars and No1 Guitarshop.
– The world’s first Oversized T-style guitars have seen the light of day. And the light is shining beautiful and bright.
Rainer Tausch, hailing from the beautiful region of Bavaria in Germany, is not just a luthier but a true mastermind when it comes to crafting exquisite guitars. With a career spanning an impressive 25 years, Rainer has honed his skills and expertise to become a highly respected figure in the world of guitar craftsmanship. His creations, proudly bearing the name Tausch Guitars, are a testament to his dedication, passion, and unwavering commitment to producing instruments of exceptional quality.
Drawing inspiration from the rich legacy of classic guitar designs, Rainer infuses his creations with a touch of contemporary innovation, resulting in instruments that seamlessly blend tradition and modernity. His extensive experience has allowed him to master the art of crafting guitars in the iconic styles of S, T, and LP, paying homage to the time-honored forms that have shaped the guitar landscape for generations. However, Rainer’s brilliance lies in his ability to elevate these classic designs with his own unique enhancements and refinements, offering players a fresh and exciting take on beloved instrument archetypes.
Recently, in the month of December, Rainer generously sent us one of his latest creations—the breathtaking Montreux model—for us to thoroughly examine and experience. This particular guitar exemplifies the craftsmanship and attention to detail that has become synonymous with Tausch Guitars. From the moment we laid eyes on it, we were captivated by its stunning aesthetics and undeniable allure.
The Montreux model, like all of Rainer’s instruments, showcases his unwavering commitment to quality. The selection of tonewoods used in its construction is nothing short of exceptional. The body, meticulously carved and flawlessly contoured, provides a foundation for the guitar’s sonic character. The choice of top-quality tonewoods ensures that the instrument resonates with remarkable clarity, warmth, and sustain, captivating players and listeners alike.
In addition to its impeccable construction, the Montreux model boasts a host of innovative features that set it apart from its counterparts. Rainer’s keen eye for detail and relentless pursuit of perfection are evident in every aspect of this guitar’s design. From the smooth and comfortable neck profile to the expertly crafted fretwork, each element has been carefully considered to enhance playability and facilitate effortless expression.
The electronics of the Montreux model are a testament to Rainer’s commitment to providing players with a versatile and inspiring sonic palette. Meticulously chosen pickups, thoughtfully wired controls, and superior wiring harnesses work harmoniously to deliver a range of tones that are both dynamic and expressive. Whether you crave searing leads, punchy rhythms, or sparkling cleans, the Montreux model is capable of delivering a remarkable array of sounds, allowing players to effortlessly explore their musical horizons.
Having had the privilege of experiencing the Montreux model firsthand, we can confidently attest to the exceptional craftsmanship and artistry that define Tausch Guitars. Rainer’s unwavering dedication to his craft shines through in every aspect of this instrument, and it is clear that he pours his heart and soul into each guitar he creates. From the flawless finishes to the impeccable attention to detail, it is evident that Rainer’s passion for his work is the driving force behind Tausch Guitars’ reputation for excellence.
In conclusion, Rainer Tausch stands as a true luminary in the world of guitar craftsmanship. With his profound understanding of classic guitar designs and his innovative approach to incorporating modern features, he has carved a niche for himself as a builder of exceptional instruments. The Montreux model, a testament to Rainer’s ingenuity and skill, showcases the pinnacle of his craftsmanship, captivating players and collectors alike. Tausch Guitars is a name that resonates with quality, innovation, and a deep-rooted love for the art of guitar making.
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See the demo by Henrik & Nicolai from V&R below. The guitar is also for sale by Rainer Tausch through his V&R Shop here
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The Montreux model can best be described as an oversized T-style equipped with humbucker pickups from Häussel Pickups and finished in a two-tone sunburst reminiscent of the late ’50s and early 60´s sunburst Gibson finish. We think the choice of the two-tone Tobacco finish looks beautiful on this guitar. Upsizing the classic Tele shape is a great idea, and we found it to also works great ergonomically.
– A Plethora of classy Plexi-tones with a treble booster
Carl Martin PlexiRanger. For sale through Thomann.
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Throughout the years, we have had the pleasure to demo quite a few pedals from the Danish pedal company, Carl Martin.
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Their latest addition to the Carl Martin effects line-up is the PlexiRanger.
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V&R’s thoughts on using the PlexiRanger
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“I have used the Carl Martin Plexiranger since the prototype stage,” Vintage & Rare’s Henrik says, “and I found it very versatile both soundwise and as an application in a live situation. I’ve used the PlexiTone in most of my rigs the last decade or so, so I’m very familiar with it.”
“I used the Plexiranger as my main drive pedal on the last tour with Mike Tramp and the Band Of Brothers, both as a semi-clean driven crunchy sound, and as the overdriven rhythm and lead tone, using the remote option to switch the boost on/off from the Octaswitch (In my fly rig I use the Boss MS-3 which lets you assign the CTRL switches to make the switch when you change presets).”
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“I found that using the frequency and range knobs makes a huge difference when you want to place yourself in the mix. It’s a powerful tool. For example, I might boost the signal with a compressor in front of the PlexiRanger for a particular lead sound, or I could use the PlexiRanger Boost as a ‘tone shaper’ for the more driven rhythm sounds, then when playing lead I just ad the compressor in front and delay and reverb last in the chain.”
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Check out Henrik & Nicolai from V&R’s demo of the PlexiRanger.
It houses the renowned PlexiTone – an eerily accurate reproduction of the sound of a raging Marshall hunder-watter – alongside a treble booster section which you can use independently of the PlexiTone circuit.
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The history of the treble booster
Treble booster is one of those effects that most players have heard of but relatively few have on their pedalboards. Is it an EQ? Not really. Is it a fuzz? Yeah not so much. A dirty boost? Sort of but not quite. The early treble boosters were developed by companies like Dallas and Skewes as bands got louder and louder, and guitarists started to get lost amongst the low-end clutter.
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Treble boosters allowed guitarists to thin out the low end, add some teeth to the high end, and – if they wanted to – to hit the amplifier’s preamp tubes with a hotter signal, driving them to distortion. It helped to carve out a place for the guitar to dominate in a band mix, and it gave players more sustain. It even helped to open up the glorious possibilities of ear-shredding feedback.
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In fact, you can hear Jimmy Page talking about treble boosters in the documentary It Might Get Loud, saying; “Knowing that there was a threshold in volume, I wanted to get more sustain out of things. I’d bumped into this chap, Roger Mayer…’did I have any ideas?’ I had this record at home of a guitar that had a lot of sustain on it, and I got him to come down and have a listen to it, and I said, ‘can you get that?’. And he went away and came back with this phenomenal thing.”
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Guitarists have used treble boosters to solve all sorts of musical problems. For instance, Tony Iommi’s early Black Sabbath tone was driven by a Dallas Rangemaster treble booster into his Hiwatt amplifiers, slamming the amp’s -preamp tubes and creating the fuzzy, biting, moody, doomy sound that is unmistakably Iommi.
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And Jimi Hendrix’s sound guru, Roger Mayer, developed a treble booster combining silicon and germanium transistors in 1961 which was used by many of his local pals such as one Mr. Jimmy Page.
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Queen’s Brian May also used treble boosters like the classic Rangemaster to get that heavenly, harmonically excited overdrive tone out of his VOX AC30 amplifiers, while Richie Blackmore plugged his into his Marshalls for his full, expressive Stratocaster tone.
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Since those glory days, amplifier design evolved to have more gain and more tone control, so there was less of a need for treble boosters. But as these things tend to go, over time, we started to hear those old tones and ask, ‘Why can’t I get that sound out of my amp?’
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And that brings us to the PlexiRanger. Carl Martin looked back at those great guitar tones and how they were achieved, and thought ‘What if..?’ So the PlexiRanger combines a Plexi-voiced overdrive/distortion featuring controls for Gain, Tone, and Level; and a Rangemaster-inspired boost with controls for Boost, Range, and Frequency. There’s a three-position Lo-Cut switch (the settings are slight low-frequency cut, heavy low cut, or no low cut).
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The Boost knob gives you up to 15dB of clean boost to drive your amp harder, while the Range control governs how much treble boost is applied. Then that circuit can be fed into the PlexiTone side, giving you Rangemaster-into-Plexi tones right there at your feet. And if you decide to turn off the Plexi side, you’re free to apply the boost’s magic to whatever amplifier you wish to pair it with: as we’ve seen from Iommi, May, Blackmore, and Page, treble boosters can be very amp-dependent, and the one pedal can unlock different sonic treasures from different amps.
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Written by Peter Hodgson from IheartGuitar, Henrik Berger, Nicolai Schneekloth.
On Nov. 30th & Dec. 1st we brought V&R Boutique Guitar Show to Max Guitar in Holland.
Here is a gallery from the show. It was a great success with hundreds of people visiting, drooling, and trying out the guitars and gear we brought to the show. Huge thanks to the awesome and cool team at Max Guitar for having us.
Pictures from The Great Scandinavian Guitar Show 2019 at Fryshuset in Stockholm.
It was a fantastic weekend together with friends from the passionate Swedish guitar community.
We also brought our touring Boutique Guitar Show to the show, which was a great success. We gave the public a unique opportunity to experience guitars and gear from luthiers and builders from all over the world.
If you use these pictures online, please make sure to credit VintageandRare.com.
Akustikken – Denmark – V&R Boutique Guitar Show gallery
On Oct. 11th, 2019 – Akustikken in Copenhagen, Denmark, hosted the V&R Boutique Guitar Show.
We had the rainiest day of the month, but a good little crowd was turning up to try out some of the world-class guitars, amps, and pedals that we brought to the show.
