Tag Archives: Black Sabbath

Guest blog: 1971 Gibson SG Inspires Both Online and Off

Have you heard of Figment?

It’s an online game where users can create their own, non-existing bands with whole albums with track lists, album covers, and long descriptions of how this band would sound – if it was real! The most creative and interesting bands and albums get the most fans and attention, and are rewarded with ‘lucres’, the Figment game money users can buy stuff with.

On Figment, it’s “All bands, no music“.

Figment decided to give their users a challenge and promised a bucket full of lucres for the winner:

“We’ve noticed that many of our players are musicians in real life.  We’ve also noticed that many of you are great writers, who can easily and concisely write about your love of music, real and fake.  So for our first Figment Challenge we’re looking for one player who owns a vintage instrument and is willing to write about why they love that instrument, and how playing it has inspired the bands they create on Figment.”

The winner of the challenge is formerwageslave aka Remy Brecht.  He owns this 1971 Gibson SG:

Here is the article he won the challenge with:

’71 Gibson SG Inspires Both Online and Off
by Remy Brecht

I am the proud owner of a Gibson SG 200/250 from around ’71-’72. I bought it for $180 down in Memphis, TN from a FedEx employee sometime in the late 90′s, though I wish I had thought to ask him more about the instrument’s history at the time. He either didn’t realize what he had or didn’t fully appreciate its well-worn appearance, and had it “restored” at some point in the form of drowning it in a thick coat of shiny white paint. Nevertheless, it still has its rubber knobs and plastic switches, its “Les Paul Custom” tag on the headstock, its single coil pickups hidden by black plastic covers with “Gibson” in raised cursive lettering. The latter is perhaps my favorite detail about the guitar. Since then, this SG has been my main axe through countless projects and cities, from alternative rock cover bands in Memphis to industrial rock in Indiana, from feedback noise experiments in Las Vegas to digital hardcore punk in Detroit. My blood has soaked into the fretboard on numerous occasions, and there are plenty of new dents in its weathered but still rock-solid body.

Sadly, however, I don’t always have time to sit down and record ideas for songs… or entirely new bands, for that matter. When I discovered Figment ( http://www.figment.cc ), the immersive online game dedicated to creating painstakingly realistic fake bands, I knew I had found the perfect outlet for my excess creativity. On Figment, users can create the bands of their dreams, writing their back stories and member bios, designing their logos, and creating albums complete with cover art, track lists, credits, and descriptions. Other Figment users then “buy” and “listen” to these non-existent albums to increase their position on the Hot Albums chart. There are also frequent challenges with real prizes and famous music industry judges, including concept album and album cover design contests.

One of my main bands on Figment is the mythical stoner/doom group Vorpal Queen. My vintage SG is a constant source of inspiration when coming up with songs and albums for VQ, especially since one of their main influences is Black Sabbath. Tony Iommi has his own line of SGs that bear his name, and owning an instrument from that same family of guitars (and one that dates back to the days of such classic Sabbath records as Paranoid and Masters of Reality!) helps me channel those heady, haze-filled days of nascent heavy metal. Considering the SG’s narrow neck with strings set hand-crampingly close together, the heavy chunk of maple that is its body, I have a deeper appreciation for players such as Iommi who were able to play them back then with such speed and finesse– not an easy task compared to the lighter, faster guitars available today. The SG’s weight, the way each note rings through the entire body… these things stick in my mind when imagining new chapters of dark sludge for The Queen!

Figment bands of mine:

Vorpal Queen – http://www.figment.cc/bands/2528/vorpal-queen.fig
Lucifer and the Long Pigs – http://www.figment.cc/bands/2491/lucifer-and-the-long-pigs.fig

Real bands of mine:
The Restless Shades – http://www.facebook.com/therestlessshades
Phallus Uber Alles – http://www.facebook.com/phallusuberalles

Isolated guitar and bass tracks

We love vintage musical instruments and we love vintage recordings.

The sixties and the seventies have been the most exciting decades in terms of sound research and recording technique. However, we love it when the technology which is surrounding us nowadays provides us with a whole new way to listen to our favorites.

Digital technology such as the moog file format and even popular video-games such as Guitar Hero allow us to tear a song a part and listen to one isolated track at the time. Whether the purpose of doing this is to learn thoroughly a song on guitar or find out what kind of mixing tricks have been used to create the sound that we love so much, what we discover is astonishing and inspiring. The musicians’ skills and technique don’t seem to be quite as important as the feeling they’ve put into it. We often find mistakes in the execution, mistakes that disappear or even add a magic feeling when we listen to the track in its whole.
Many isolated tracks are hosted on youtube. As Vintage & Rare we picked our top 5. Needless to mention that these tracks are taken from the history of rock.

So, whether you’re looking for inspiration or if you want to analyze how your guitar hero used to rip his instrument in the studio, or how he wanted his track mixed in your head, go ahead and check these links. But beware! It might sound bad from time to time..but hey!! Who cares about perfection? These people wrote a piece of history. And we all should be grateful.

Enjoy!


The Beatles – SUn King – Guitar track

The guitar bounces softly from the left to the right and back again creating endless space in our mind..


The Who – My Generation – Guitar Track

In this live recording from the 1970 Pete Townshend’s shredding guitar. You can hear a couple of the purely valve sounds we still love so much. Something punk rock bands are still trying to reproduce today. Pure rock ‘n’ roll.


Black Sabbath – Into the Void – Guitar Track

Pioneers of heavy metal..Double tracking fills up your ears and kicks ass. At 3:08 min Tony Iommi gives his best.


Nirvana – Kurt Cobain – You know you’re right – Guitar Track

Noisy and cool..this track reveals Kurt Cobain’s taste in guitar sound and songwriting. His typical alternating quiet verses with noisy choruses. And how he holds the feedback at 1:16. Amazing!


Rage Against The Machine – Killing in the name – Bass track

Tim Commerford grooves his way through the song..It’s hard not to imagine the drums pattern though..The rhythmic session in this song is a badass rolling stone.

Joe Satriani interview: ”To my fans: I owe you everything”.

Joe Satriani is one of those guitarists who can be described in a single word – legend. Vintage & Rare is proud to present you interview with Joe, the guitarist whose music has no requirement for lyrics. He told us something about his musical beginnings, his inspiration and his plans for the future.

Could you please tell us a bit about how you got into playing music ? Do you remember any specific moments that sparked your interest in music and playing guitar?
I started playing the drums at age nine after seeing The Beatles and The Rolling Stones on TV. Then in September of 1970 I switched to guitar the day Jimi Hendrix died. He remains my main inspiration.

Which musicians or bands have been the greatest inspiration and have had the greatest influence on your understanding of music and your playing?
Besides Hendrix, I was influenced by early American blues, rock ’n’ roll, Motown, R & B, jazz and classical music. I played Black Sabbath and Led Zep in my early bands, and then some fusion. My greatest understanding of music came from my high school music theory teacher Bill Westcott. He gave me my foundation.

What advise you you give to fans wishing to perfect their playing and broaden out their understanding of music?
Practice being a musician everyday, be creative and curious and never stop learning.

How many days a year do you spend on road? Is it hard to be on a tour and still keep the mindset to create and produce music?
It seems like I’m on tour half of every year these days. Some years see me touring more, some less. The music business is always changing, you have to be able to adapt.

Can you please tell us about the guitars, amps and effects you are mainly  using, and why you have chosen the guitars & gear you have?
My main guitar now is my Ibanez JS2400. I have come to really love the 24 fret JS model now. I have put a Sustainiac pickup in a few of my 2400’s as well, they are very useful and add functionality to the guitar. My new signature Marshall JVM410H JS head is fantastic! I love playing through this new system as it really sets me free.

Do the guitars & gear you play live differ from the guitars you’re using during recording sessions?
Not really. The last two records and tours both solo and with Chickenfoot saw me with the same gear.

Maybe you could eloborate a little bit about your collaboration with Ibanez and the cool Chromeboy project?
Chromeboy was born back in 1990! It is so very hard to successfuly chrome a guitar body made of wood. We have tried everything you can think of, but it still eludes all who try. Eventually the chrome lifts away from the body, cracks and becomes dangerous. Now, the very process of chroming is being restricted due to safetey concerns for the environment as well as the people doing the chroming. So, if you’ve got an original Chromeboy, keep it safe!

Are you into vintage guitars & old amps/effects? If yes which brands/models and why? Maybe you have a special story to tell around one or more of your guitars?
I like to collect vintage Fender, Gibson and Martin guitars. Mainly Strats, Tele’s, Les Pauls and acoustics. My current favorite is a 1969 Olympic White maple-cap Stratocaster. It’s a total Hendrix-fetish collectable, and it sounds great too!

Any exciting new projects that you would like to tell us more about? Could you please eloborate more on your movie Satchurated 3D.
Having ”Satchurated 3D” playing theaters around the world is just so cool! Think about it, an instrumental rock guitar movie in theaters, what a crazy world we live in! When we release the DVD and people see the whole show and the bonus features they will freak out!

Any famous last words?
To my fans: Thank you so much for listening to me play my guitar! I owe you everything and will keep playing my best as long as I live.

www.satriani.com
www.facebook.com/joesatriani
www.youtube.com/websatch
twitter.com/#!/chickenfootjoe

Would you like to add something about Joe Satriani? Please leave a comment…