Tag Archives: Vintage & Rare

Guest blog: 1971 Gibson SG Inspires Both Online and Off

Have you heard of Figment?

It’s an online game where users can create their own, non-existing bands with whole albums with track lists, album covers, and long descriptions of how this band would sound – if it was real! The most creative and interesting bands and albums get the most fans and attention, and are rewarded with ‘lucres’, the Figment game money users can buy stuff with.

On Figment, it’s “All bands, no music“.

Figment decided to give their users a challenge and promised a bucket full of lucres for the winner:

“We’ve noticed that many of our players are musicians in real life.  We’ve also noticed that many of you are great writers, who can easily and concisely write about your love of music, real and fake.  So for our first Figment Challenge we’re looking for one player who owns a vintage instrument and is willing to write about why they love that instrument, and how playing it has inspired the bands they create on Figment.”

The winner of the challenge is formerwageslave aka Remy Brecht.  He owns this 1971 Gibson SG:

Here is the article he won the challenge with:

’71 Gibson SG Inspires Both Online and Off
by Remy Brecht

I am the proud owner of a Gibson SG 200/250 from around ’71-’72. I bought it for $180 down in Memphis, TN from a FedEx employee sometime in the late 90′s, though I wish I had thought to ask him more about the instrument’s history at the time. He either didn’t realize what he had or didn’t fully appreciate its well-worn appearance, and had it “restored” at some point in the form of drowning it in a thick coat of shiny white paint. Nevertheless, it still has its rubber knobs and plastic switches, its “Les Paul Custom” tag on the headstock, its single coil pickups hidden by black plastic covers with “Gibson” in raised cursive lettering. The latter is perhaps my favorite detail about the guitar. Since then, this SG has been my main axe through countless projects and cities, from alternative rock cover bands in Memphis to industrial rock in Indiana, from feedback noise experiments in Las Vegas to digital hardcore punk in Detroit. My blood has soaked into the fretboard on numerous occasions, and there are plenty of new dents in its weathered but still rock-solid body.

Sadly, however, I don’t always have time to sit down and record ideas for songs… or entirely new bands, for that matter. When I discovered Figment ( http://www.figment.cc ), the immersive online game dedicated to creating painstakingly realistic fake bands, I knew I had found the perfect outlet for my excess creativity. On Figment, users can create the bands of their dreams, writing their back stories and member bios, designing their logos, and creating albums complete with cover art, track lists, credits, and descriptions. Other Figment users then “buy” and “listen” to these non-existent albums to increase their position on the Hot Albums chart. There are also frequent challenges with real prizes and famous music industry judges, including concept album and album cover design contests.

One of my main bands on Figment is the mythical stoner/doom group Vorpal Queen. My vintage SG is a constant source of inspiration when coming up with songs and albums for VQ, especially since one of their main influences is Black Sabbath. Tony Iommi has his own line of SGs that bear his name, and owning an instrument from that same family of guitars (and one that dates back to the days of such classic Sabbath records as Paranoid and Masters of Reality!) helps me channel those heady, haze-filled days of nascent heavy metal. Considering the SG’s narrow neck with strings set hand-crampingly close together, the heavy chunk of maple that is its body, I have a deeper appreciation for players such as Iommi who were able to play them back then with such speed and finesse– not an easy task compared to the lighter, faster guitars available today. The SG’s weight, the way each note rings through the entire body… these things stick in my mind when imagining new chapters of dark sludge for The Queen!

Figment bands of mine:

Vorpal Queen – http://www.figment.cc/bands/2528/vorpal-queen.fig
Lucifer and the Long Pigs – http://www.figment.cc/bands/2491/lucifer-and-the-long-pigs.fig

Real bands of mine:
The Restless Shades – http://www.facebook.com/therestlessshades
Phallus Uber Alles – http://www.facebook.com/phallusuberalles

Famous Vinyls Covers: Guestblog by Vinylstall.com

Vinyl records have been popular during most of the 20th century. These recordings are played using a record player called phonograph. Vinyl recordings are once a favorite in the entertainment media. Over the years, the music industry has innovated and produced modern technology from cassette tapes to CDs and digital music players. Old types of music recorded on vinyl are now being revived with the integration of musical instruments. Audiophiles are into vinyl record collection because they love this vintage music format. Even the new generation musicians and music lovers are becoming interested in this old time disc recording.

Vinyl record enthusiasts have never ceased using and collecting this form of music medium. In fact, some artists and small label companies release their music using vinyl. DJs also play and spin these records in the clubs and bars because of the good sound quality. Vinyl has survived the innovation of technology and has influenced the music industry over the years. During the middle to the late years of the 20th century, there are a lot of famous vinyl covers that have been produced and distributed in the market. How can we forget the famous cover of the Rolling Stones, Sticky Fingers? Sgt. Pepper’s Lonely Hearts Club Band by the legendary Beatles has been considered the best cover of all times. For decades, label companies have also integrated famous instruments on their vinyl record covers.

During the vinyl record era, covers are very significant to express the theme of the artist’s songs. Some use their personal profiles and pictures or musical instruments like guitars, piano and saxophones.

Instruments featured in Vinyl Record Covers:

a. One of the most acclaimed albums during the 50’s is the Saxophone Colossus by Sonny Rollins. The award winning album was recorded and released in 1956 by Prestige Records and was considered the best albums issued by this recording company. The cover shows a man playing his saxophone in a blue background. It is a jazz album containing five tracks, three of which are Johnny Rollins’ compositions.

b. Another remarkable vinyl record cover is the album “Eric Clapton Slow hand” by Eric Clapton. This album includes lyrics of all songs and some art clips and photos. The front cover photo shows neck, turning keys and head of a guitar. A body of the guitar being strummed by a man is illustrated in the back cover. The album was produced in 1977 by Glyn Johns.

c. Jerry Lee Lewis also known as “The Killer” pioneered rock and roll music through a distinctive style in piano playing. His album “Who’s gonna play this old piano” released in 1972  contains eleven tracks including the hit songs “She’s Reachin For My Mind” and “Who’s gonna play this old piano”. The vinyl record cover shows an old grand piano with some lyric sheets on top of it.

Vinyl record covers were of great help to market and sell albums. The concept depends on the genre and the performer’s type of music. Most of the covers show profiles and pictures of the singer or bands. Covers for vinyl records also show musical instruments used by performers. Albums with famous musical instruments like guitars, pianos and saxophones are incorporated in the back or front cover of the musician’s album.

Vinyl is one of the greatest medium in the music industry. There is a need for us to protect and promote vinyl records to preserve the music of the past generation. You can find rare vinyl records for sale online, with the free vinyl search on http://www.vinylstall.com/

Steve Marker / Garbage Video interview / Photo gallery

Steve Marker is an american musician and a record producer. Internationally he is best known as the guitarist of the rock band
 Garbage.

Nicolai from Vintage & Rare had a chance to meet Steve at Northside Festival, held in Aarhus, Denmark. Steve is eloborating on gear and his Henman Guitars, which he tours and records with.

Enjoy watching the video interview and don’t forget to take a look at some photos from the concert.

Interview with cellist Ana Rucner

We present you Croatian cellist Ana Rucner. Her parents are classically trained musicians so they were big influence on Ana, who started playing at the age of 7. Education is very important to her. That’s why she holds the title of cello professor. In her work she always tries to connect classical with modern music. Vintage & Rare talked to Ana about her work.

ana rucner

Could you please tell us a bit about how and when you got into playing music?
I was six and a half years old, almost seven when I told my mom I wanted to play cello just like her. My mom is a beautiful woman and in that segment of my life she was my role model and somehow I just wanted to be like her. It is great for a kid to have a role model like I had. That is how I started. My mom supported me of course, we bought a small cello. It all started 22 years ago.

When did you start playing electric cello?
It was exactly ten years ago; I have it at home for ten years. That all happened in period when my thinking about music was changing. I got the instrument that actually changed my whole life.

Your music has elements of classical, modern and ethno. Could you explain us why you initially got into the type of music and genre you’re playing?
I am classically educated, that is where classic comes from. Without it I couldn’t do anything else. As far as modern approach is concerned, growing drew me to do something different. When I create my music I always put myself into the listeners position, I want it to be pleasant and nice to them. That is how I do it. As far as ethno elements are concerned, I respect a lot Croatian tradition. It is my country, country where I grew up. I think that combination of traditional instruments and classical music through modern approach is amazing. It is available to everyone. In some spontaneous way, it all came together.

What musicians have inspired you the most over the years and why?
I think I will never forget one cooperation that happened ten years ago. I was playing at Maribor philharmonic as a part time member during my studies. Every month I used to go to Maribor,Slovenia; worked whole week there (rehearsals, project etc.). One day came a man called Lalo Schrifin. He created a hit ”Mission impossible”; great man, musician, conductor, pianist. He was playing his greatest movie hits on the piano and conducting the orchestra I played in. Lalo inspired me a lot.

Everything changed for me and I fell in love with classic and modern music. He is not the cause of my thinking but he helped me to grow. Of course my other role model is my mother. She is a great cello player and a woman. Every now and then musicians find new inspiration. But the most important is to know what you want and stick to that.

What do you prefer, playing solo and/or with other musicians?
I usually play solo. Playing solo is my favourite choice because I have complete freedom. But of course I am not always completely alone. Sometimes I have with me ‘’Gudački kvartet Rucner’’ where my mother and father play with two more musicians. I love to play with orchestra; they put some extra touch to the sound.

I also love to play Bach’s suites on acoustic cello; when the surrounding is good, special occasion, good acoustic that is a special moment just for me and my cello. That is special connection for me and I prefer that more than anything else.

Any artists and ensembles around the world that you would like to play and record with?
Of course there are lot of orchestras, musicians; at the moment I am not thinking much about that. In Croatia I played with ‘’HRT Symphony Orchestra’’. With ‘’Zagreb philharmonic orchestra’’ I just recorded project ‘’Ode to joy’’. That video got an award in Berlin; ‘’Das golden Stadttor’’, so-called tourism Oscar for the best video.

I had different co operations. Maybe I will play with amazing orchestra from Oman, composed with great musicians. I would love to make a project with them. But something completely different, maybe pop-punk-rock combination. I became really good at that. I hope that this will be achieved in the near future.

Can you tell us about the cellos you are using?
Acoustic cello that I have been using for 15, 16 years was a gift. I was 13 years old when I got it. That is really old but amazing instrument from Italy, 1845. Ladies cello, slightly narrower than the standard, but meets the standards of the entire cello. The sound is special, warm, and receptive; I coalesced with it and it is the most important to me, to have a good cello.

As far as the electric is concerned, at home I have two Yamaha cellos. One I bought in Birmingham, near London. It is produced by great man David Johnson from the Violectra Company. It was done by the extent of my acoustic one.

I also have few, made of carbon; I bought them for fun and dyed in crazy colours. I love to decorate them, they even have Swarovski crystals. Those are not the instruments for classical music, but they look really good on photography and recordings. For now I have six of them, but that is not the end, just the beginning of a beautiful friendship.

Does the cello you play in concerts and live differ from the ones you’re during recording work?
Mostly it does not. Actually, when I record in the studio, it is always acoustic cello. That sound cannot be compared to electric one. As far as modern expression is concerned, I have a good electric cello which can of course be very much strengthened and has many effects. These instruments cannot be use under all conditions. It is not wise to take acoustic cello on extreme temperatures. Even though I did that and nothing happened.

So basically I play classical music on acoustic cello, modern music on electric one and I always record on acoustic cello. As I already mentioned, I also have some cellos that are more for photos than to produce sound. With my white cello I would never play classical music because I don’t think it would give the same sound as acoustic one.

Any famous last words?
I would like to greet all the readers; it was really nice talking to you.

When you love what you do it is very important to be persistent, innovative and to have the inspiration. You simply take what you have and go all the way with it. It is also very important to have an instrument that breathes with you. There are a lot of good cellos, but not all of them suit everyone. Instrument must be your best friend.

www.anarucner.com
www.facebook.com/ana.rucner
itunes.apple.com/us/artist/ana-rucner/id519685590

Would you like to add something about Ana? Please leave a comment…

Video blog: Caparison Guitars

Guitar show Frankfurt 2012 was a great opportunity for Nicolai from Vintage & Rare to record many impressive videos. We want to share all of them with you. This week we are showing you impressive Caparison Guitars.

Caparison Guitars are Japanese guitar and bass company. The company was established in 1995. Their best selling guitar is “Horus” model, but it is also important to mention their Caparison Dellinger, TAT and Orbit models.

‘’ I am delighted to continue working with, and designing for Caparison. I would like to express my deepest thanks to our customers, dealers, artists, and all who helped support us in making a fresh start. It is my feeling that Caparison guitars are still evolving, and I have many ideas that can now be embodied. With your support, I look forward to realising a world of new guitars.’’

Itaru Kanno/ Designer, Caparison Guitar Company.

Chris Amott / Caparison Guitars / Frankfurt 2012

Caparison Guitars / Guitar presentation / Frankfurt 2012

For more amazing videos please visit our YouTube channel. Also feel free to leave a comment…

Video blog: Stevens Custom Guitars

In April 2012 Nicolai from Vintage & Rare had a great opportunity to meet Werner Kozlik at the Frankfurt Show 2012. Werner is owner of Stevens Custom Guitars and Munich Repair Shop. At the show they were presenting the whole range of instruments they do in Stevens Custom Guitars Company.

They are mostly focused on development and production of musical instruments, such as Steal String Guitars, Jazz Guitars, Irish Bouzoukis, Acoustic Bass Guitars and custom orders.

Here are some cool pictures and videos of that day. Enjoy!

Stevens Custom Guitars / 1 of 2 / Vintage & Rare / Frankfurt Show 2012

Stevens Custom Guitars / 2 of 2 / Vintage & Rare / Frankfurt Show 2012

Would you like to add something about Stevens Custom Guitars? Please leave a comment…

Video interview: Page Hamilton / Helmet

Nicolai from Vintage & Rare met up guitarplayer, singer and composer, Page Hamilton, from Helmet before their concert at the Vega venue in Copenhagen, Denmark 2013 to talk about Page´s gear.

Helmet is an American metal band which was founded in 1989 by Page Hamilton. They have released seven studio albums and two compilations. In 1998 the band split up, but reformed in 2004. Their latest album, ” Seeing Eye Dog ” has been released in 2010.

See Page´s gear setup for the 2012 EU Tour below.

Page Hamilton Helmet Gear setup EU Tour 2012

Page Hamilton Helmet Gear setup EU Tour 2012

Page Hamilton Helmet Rig setup-2 Page Hamilton Helmet Rig setup-3 Page Hamilton Helmet Rig setup

 

www.helmetmusic.com
www.facebook.com/HelmetMusic
twitter.com/#!/helmetmusic

Video blog: Norwegian Wood Series / Husemoen Guitars

Frankfurt show 2012 was a great opportunity for Nicolai from Vintage & Rare to meet Øystein Husemoen from Norwegian Wood Series / Husemoen Guitars.

The Norwegian Wood Series are made entirely from woods that grow in Norway. The advantage is that they do not have to use the rainforest to timber in order to create a good sound. These handmade guitars combine maximum playability with a rich tone and a classic design.

Here is one cool video of that day. Enjoy!

Would you like to add something? Please leave a comment…

Dominic Frasca: “Have a good time all the time”.

Dominic Frasca is a guitar player, more famous by his YouTube video called ‘’Impossible guitar’’. Video has at last count 39,305,349  hits. After seeing his video, we at Vintage & Rare were totally blown away.

Could you please tell us a bit about your background as a musician and how you got into playing music? Do you remember any specific moment that sparked your interest in music?

I have always listened to the music from an early age. I had four older sisters and an older brother who turned me onto everything from Stevie Wonder, Steely Dan to Disco. But it was when I started listening to AC/DC that I really decided I wanted to play guitar.

Do you have formal musical education?

I got my degrees in classical guitar and Composition from University of Arizona and Yale.

What musicians or bands have inspired the most over time?

Prince, Steve Reich, Philip Glass, Maurice Ravel, Anthony Davis, Iron Maiden, Jimi Hendrix, Stevie Wonder, Pink Floyd to just name a few.

From a hard rock guitar player you became a classical player. What inspired you to go in this direction?

It was kind of in the air for my generation. There was a big neo-classical thing happening with a lot of the electric players of the 80’s so it seemed natural to progress to classical. I really enjoyed the discipline and the musical structure that classical had to offer, but in the end I am still a rocker in my heart.

How important do you see Youtube as a promotion tool and channel for you?

Youtube really changed everything for musicians as well as most other profession. Whether you are a street fighter or a comedian or a guitarist you can now reach so many people without ever leaving your home. This also means now that you need to be educated and have skills in many areas such as video, marketing, engineering etc. In a lot of ways it is a great time to be a musician.

Please tell us something about the Fixations project.

Fixations is an ongoing piece I created for surround sound and surround video which I perform in my performance space The Monkey in NYC. Fixations deals with those things that people fixate on from money to sex to religion. After having played guitar for so many years I really wanted to create something that stretched beyond just the guitar.

So I built a performance space and started experimenting with everything visuals sound design to what type of drinks people have when they come to the performance. The space in a lot of ways is the last extension of my instrument and when people come to see the show it is like they are entering into my mind, which for some people is not always a good thing.

Any famous last words?

In the words of Viv Savage from Spinal Tap “Have a good time all the time”.

www.dominicfrasca.com
https://itunes.apple.com/au/album/deviations/id448474429

Would you like to add something about Dominic? Please leave a comment…

Nina Badrić: representing Croatia on Eurovision Song Contest 2012

Nina Badrić is a Croatian pop singer. This year she will represent Croatia at Eurovision Song Contest 2012 in Baku with her song called ”Sky” (”Nebo”). While she is preparing for ESC she found some time for Vintage & Rare. Read what she told us and don’t forget to listen to the song and vote! 🙂

Nina Badric

Could you please tell us a bit about how and when you got into playing music?
I started singing when I was 9 years old in The ”Zvijezdice” ( Little stars ), children’s choir in which I soon became one of the leading soloists.

What musicians have inspired you the most over the years?
Music that has graced me in my life is predominantly performed by Milles Davis, Stewie Wonder, Michael Jackson, Prince.

You are a famous singer in Croatia. Do you ever wish not to be?
Music is my life.

Are you proud to represent Croatia on Eurovision Song Contest 2012?
I was thrilled because they invited me to represent Croatia. I am very proud and it is a big challenge for me. Definitely a new step and inspiration in my carrier.

How come you decided to sing in croatian? What is the song about?
Song is very emotional and strong. Especially for me.

How important do you see Youtube as a promotion tool and channel for you as an artist?
I think that today YouTube, facebook or another social media are very important for promotion.

Do you play any instruments?
Unfortunately no.

Any artists around the world that you would like to play and record with?
Quincy Jones, Adele, Prince, George Michael…

What are you future plans?
After Eurovision song contest I am going on a tour. I am very happy and excited about it.

Any famous last words?
I wish you all the best in your life. Keep fingers crossed for me in Baku. Grab your phone and vote for me.

www.ninabadric.com
www.facebook.com/NinaBadricOfficial
itunes.apple.com/us/artist/nina-badric/id73629211
https://twitter.com/ninabadric7/
https://www.youtube.com/user/OfficialNinaBadric

What do you think about the song? Would you like to add something about Nina? Please leave a comment…