Dagmar Custom Guitars / Mary Lou W / Antique Ivory / Guitar
Mary Lou W
Western Red Cedar Top that is carved and braced to handle feedback. The finish is pigmented varnish in antique ivory. X bracing is used with Spruce laminated with Carbon Fibre for extra stiffness and gently curves around the pickup. The Charlie Christian style pickup is made by Jason Lollar and is wonderful.
Master grade “cooked” Birdseye Maple back carved with feedback considerations.
The neck is 9 laminations with 4 laminations in Carbon Fibre. It is a bolt on with a two way adjustable truss rod. The scale length is 25” .
The peghead has been inlayed with the Dagmar logo. It is made of a Carbon Fibre frame with a metal back. The mother of pearl DAGMAR is laid into red tinted Epoxy for a jeweled effect. A similar inlay of lightning bolts is on the Ebony tailpiece.
The sides are made of Master Grade Cooked Flame Maple. Each square making up the sides is outlines with thin Red Veneer.
There are inlays of red/white/red/white/red/white/red bindings along with one of Flame Maple and one of Carbon Fibre around the top and back plates.
All appointments are in Ebony.
The Ebony tailpiece is hollowed from the underside and uses a hand formed iron hinge for fastening to the body.
Natural Bone Nut
Schaller M6 Tuners
Presently there is a debut base price of $10,000.00 US / Approx. €6.975,- for AAA grade wood with Ebony appointments.
Instrument sold
Dagmar Custom Guitars, Canada 
Contact name:
Pete Swanson
Brands:
Languages:
English
Specialties:
Hand-built Guitars
Opening hours:
9 - 5
Dagmar Custom Guitars is one of the newest, exclusively unique and most innovative guitar designs since the inception of the guitar itself.
In a brilliant fusion of form and function, luthier Pete Swanson has focused all of his passion to create a guitar design with exceptional tonal characteristics, better ergonomics, and massive aesthetic appeal. They are the curviest archtops on the planet and even though they are state of the art innovations they evoke a serious vintage vibe with magnetic appeal. They scream PLAY ME!
Each guitar is made using a string of math equations to calculate all of the continuously changing and transitioning radiuses that make up the shape of the guitar’s rim. Swanson does not use forms or steam bending but instead mixes precise mechanical machining with hand sculpting to make every guitar a true one off piece of art, proving that math can be sexy.
The Dagmar design echoes the corner stone of Roman architecture. Each mathematically derived and precision-machined segment making up the body is comparable to a “keystone” used in a Roman arch. The result is a rim with much greater strength than those of a conventional guitar. This allows the sides to bear the brunt of the lateral force exerted by the string tension, leaving the top and back to vibrate more freely. Swanson feels the guitar’s break in period is greatly reduced. Each guitar made sounds open and free right from the virgin stringing.
The addition of a carbon fiber lining of the sides gives them even more strength, and allowing the wood to be thinner. This reduces the weight of the guitar without compromising it’s structural integrity. The lighter the guitar the better the tone.
Swanson says that when the guitars rim is placed over your head and you talk into it that your voice becomes crystal clear and amplified within your own ears. This phenomenon suggests that the air pressure and sound waves within the guitar become more focused creating an amphitheater affect. The result is a more resonant, sensitive and responsive instrument.
Other design features complement the innovations. The bolt on carbon fiber reinforced necks cantilever freely over the top, thus allowing the top to vibrate unimpeded by it. Similarly, the tailpiece is attached to the sides only and does not touch the top plate at all.
Unlike traditional guitars, the neck and tail blocks are concealed within the curve of the sides. Therefore, the neck and tail blocks are not used as glue surfaces for the top and back sound plates thus avoiding the usual “dead spots” where vibration of the top and back are damped. The design also obviates the need for kerfing, which some luthiers believe, dampens the vibration of the top and back. Luthiers sometimes add solid wood to cap their kerfing (capped kerfing) for better energy transfer. Swanson rabits a glue surface right into the guitars rim. The sound plates press into these recesses and the whole guitar, once glued together, becomes a monocoque – stiffer, stronger and much more stable.
The rounded sides of the guitar dramatically benefit the player’s comfort. The guitars are comfortable even upside down and backwards. There are no 90-degree corners anywhere where your body meets the guitar. Your guitar will quickly becomes a kindred companion.
The fit and finish on these incredible guitars is near flawless, finishing out with a hand applied, environmentally friendly, water based varnish. The finish is left thin for the maximum acoustic gain and is painstakingly wet sanded and hand buffed to a gorgeous mirror like shine.
Dagmar Custom Guitars arresting aesthetics, tonal attributes, exclusively unique innovations and originality make each guitar The Epitome of Cool.
Swanson will be happy to discuss what it is you want in a guitar and is open to the notion that anything is possible. “Dream it and we’ll build it!”
Due to the complexity of the art, production is limited to just five guitars per year.
Warranty
Dagmar Custom Guitars are warranted for life to the original purchaser, during the working life of the builder, to be free of defects in materials and workmanship. Dagmar Custom Guitars will correct, free of charge, any defect resulting from faulty materials and/or workmanship. All shipping will be the responsibility of the owner.
The following is not covered by this warranty:
1. Repairs necessitated by normal wear, misuse or accidental damage
2. Finish degradation
3. Action and truss rod adjustments due to humidity/temperature changes and/or age
4. Normal wear and tear such as fret wear, controls and switches, tuning machines, nuts ect..
5. Damage caused by exposure to extreme changes in temperature, humidity and other natural elements.
6. Any physical alterations to the instrument will void this warranty.
7. Case and hardware wear and tear.
8. The subjective issue of tonal characteristics will not be covered.
Payment
To activate an order a non-refundable deposit of one-third of the total cost is required. When work begins on your instrument, another one-third payment is due. The final one-third is due when the instrument is completed. Shipping of the finished instrument will be held until the final payment has been verified.
All sales are final.
Prices are held firm from the receipt of your deposit until delivery.
Builder
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Location:
Switzerland
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