Danelectro / Convertible Model 5015 (#1661) / 1962 / Woodgrain Over White Vinyl / Guitar

Original 1962 Danelectro Convertible.

1962 Danelectro Convertible Model 5015.

This 13 1/4 inch-wide, 2 1/8 inch deep, double-cutaway (short-horn) hollow-body guitar weighs just 5.50 lbs. Masonite top with 2 1/4 inch diameter sound-hole. Masonite back over pine frame. Woodgrain (Kitchen-counter) body with white vinyl edging. Two metal strap buttons. One-piece poplar neck with a nut width of just over 1 5/8 inches, a scale length of 25.00 inches and a medium profile.  Three screw neck-to-body attachment with dual steel non-adjustable "Never Warp" truss rod system. Brazilian 'Slab' rosewood fretboard with aluminium nut with 21 original medium frets, white plastic position dot markers and silver side dot markers. 'Coke-Bottle' shaped headstock with "Danelectro" vertically silk-screened in brown. Open-back Kluson Ideal G-132 three-a-side strip tuners with oval white plastic buttons. Single  "Lipstick-Tube / Split-Shell" pickup with alnico bar magnets and an output of 2.93k. The pickup height can be adjusted via two screws on the sides of the sound-hole. Two controls (one volume, one tone). White plastic control knobs with 'ribbed' edges black 'dot' markers. Combination Brazilian rosewood bar bridge, aluminium 'trapeze' tailpiece secured to top by two screws. The serial number "2122" (21st week of 1962) is stamped in the neck pocket. This super-light 'Convertible 5015' guitar is in near mint (9.25) condition with just a few small marks on the edge of the headstock. Housed in a later Danelectro tweed gig-bag (9.25).

 

"The "5005" without pickup had decorative inserts fitted in the predrilled mounting holes that were easily removable should the optional pickup kit be installed." (Doug Tulloch. Neptune Bound. The Ultimate Danelectro Guitar Guide. p. 129).

 

The original Danelectro guitars from the fifties and sixties have been immortalized by such great and innovative guitarists including Syd Barrett (Pink Floyd) Jimmy Page, Eric Clapton and Jimi Hendrix.

Instrument sold

Fretted Americana , USA  

Contact name:
David Brass
Brands:
Fender, Gibson, Evil Robot, etc.
Languages:
English
Specialties:
Acquiring and offering for sale the finest examples of the finest rare guitars in the world
Opening hours:
Phone (International) 001.818-222-4113 / Email:info@frettedamericana.com / Between the hours of 9:00 AM and 6:00 PM Monday through Friday, and 24/7/365 via this web site and email.

We specialize in acquiring and offering the finest specimens of American vintage electric guitars with particular attention to those in their complete, original state. We are the only dealer to embrace a written code of ethics (in Terms & Conditions). We encourage you to read it.

HOW WE WORK

We want to inspire and win your trust and confidence. You don't want to have any negative surprises upon receipt of an instrument that you've invested yourself as well as your money into. Nor do you want any untoward surprises should you decide to sell it in the future.

To that end, every guitar that we offer is catalogued to a degree and depth of detail that is fast becoming the standard in the trade. When we declare an instrument to be completely original, it is. If it is not, we tell you exactly in what manner it has been altered.

We photograph each guitar at many angles to provide you with the broadest, clearest sense of its appearance. We will, upon request, provide you with images of all electronic components, inside and out.

Each guitar we acquire is skillfully and painstakingly dissected by David Brass, who is a trained luthier as well as a dealer and collector. All parts, no matter how small, are meticulously examined. We have an enviable reference library of wide breadth and scope that we refer to when necessary for crucial facts. The instrument is put under a black-light: original finish or refin? Even the most skillfully masked ding is uncovered. David then fastidiously reassembles the instrument. It is then cleaned with the finest products available for wood and metal.

An inspection certificate of authenticity signed by David is provided with every guitar you purchase.

We keep our inventory relatively small and highly select. We choose our guitars with extreme care so we can offer you the finest examples of the finest rare guitars in the world.

We are client focused to an extraordinary degree. If you expect or would like to be surprised by courteous, professional client service, we will pleased to accommodate that desire.

It is our fervent wish to establish a long-term relationship with you.

CODE OF ETHICS

We wish to establish an ongoing relationship with you based upon your trust in our knowledge and judgment.

To that end:

We meticulously inspect in detail every guitar that we offer. We check the finish, all of the electrical components, serial numbers, etc. With over thirty years of experience collecting and handling vintage guitars and our enormous reference library, we bring to bear all that is known about guitar manufacturers, models, and annual production.

We provide full, detailed descriptions and specs to each guitar.

We openly disclose any and all flaws we discover in writing. If the instrument is not completely “straight,” we will tell you so and why.

We endeavor to conduct ourselves to the highest standard of professional behavior.

We will deal fairly and ethically; no surprises, flim-flam, dubious business practices or shenanigans.

We value your sense of privacy and uphold the highest standards of discretion and respect

We allow a full 48 hour honeymoon period when you buy a guitar from us. If you are not 100% satisfied with it we will refund the purchase price in full, less shipping, upon return of the guitar in the same condition as sold. Please call us before returning the instrument.

Please inspect your new guitar immediately upon receiving it. If any guitar we offer is found to be not as described, we will happily refund the full purchase price, less shipping, upon return of the guitar in the same condition as sold. Please call us before returning the instrument.

 
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