Gibson / 1968 B-25N / 1968 / Guitar
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Product Details
________________________________
It is a genre called "B-25", not the sub of the J-45 / J-50.
Gibson / 1968 B-25n
The basic wood specifications are the same as the traditional Akogi of Sprestop, Mahogany body and Gibson
In terms of the sound, the j-45.j-50 is familiar to the familiar mid-range range, but it adopts X bracing with a small body size of 14 1/8 "width and 2 inches. It is an impression that the personality sounds outstanding.
Since it reacts firmly to the player's playing, it is true for strong picking such as stroke and cutting that scribbles, and conversely, there are aspects that are not good at ballad arpeggios.
Even if you play it strongly, there is no extra low mid, so it does not disturb the vocal, and even if it is mixed with the ensemble, it is difficult to wear the base band, so I recommend the B-25 if you are asked for a recommended Akogi for live. 。
It is just 60 years since its birth, and the shadow is a little thin compared to the J-45 and J-50, but in Japan, famous artists such as Tamio Okuda, Sugashikao, Gen Hoshino, and Kana Uemura have used the B-25. The B-25 is a guitar that is so attractive that it cannot be talked about with the mere J-45 sub.
One of the characteristics of this individual of 1968 is that you can feel a slightly wet ingredient with a light feeling like the B-25 of this age.
In addition, the saddle has been changed to one of our original cocobolo, and I get the impression that I am working at a price in such aspects.
The paint contains a good feeling, and the coating is thin, so you can feel that the whole wood is vibrating.
The condition of the neck and Kibe is inspected and adjusted by an acoustic guitar professional craftsman, and all parts are good.
The neck is adjusted straight and has no vibration or clogging, and the string height on the 12th fret is set to 2.2 mm on the 6 string side and 1.7 mm on the first string side.
It is our shop's best individual.
[SPEC.]
TOP: Solid Spruce
Back/Sides: Solid Mahogany
Neck: Mahogany
Fingerboard/Bridge: Brazilian Rosewood
Scale: 628mm
Nut-Width: 40.0mm
Weight: 1.95kg
Case: NON ORIGINAL SOFTSHELL CASE
* 5 years premium adjustment guarantee
* All parts are disassembled and cleaned.
[Safe service when using mail order]
Please try it slowly in your home environment for 6 days after the product arrives.
Even if you say that it is different from the sound you thought, if you can contact us within the period, we will pay only the round -trip shipping fee and we will refund the product price in full.
It is very popular for those who are difficult to visit the store, so I hope you can use it.
______________________________
Please note that all items are for sale in our Tokyo store.
There is a chance they might be sold out. All items are shipped tracked and insured. All import duties or customs fees are the buyers responsibility - please be aware of the requirements for your country. If you have any questions please ask.
Product Details
________________________________
It is a genre called "B-25", not the sub of the J-45 / J-50.
Gibson / 1968 B-25n
The basic wood specifications are the same as the traditional Akogi of Sprestop, Mahogany body and Gibson
In terms of the sound, the j-45.j-50 is familiar to the familiar mid-range range, but it adopts X bracing with a small body size of 14 1/8 "width and 2 inches. It is an impression that the personality sounds outstanding.
Since it reacts firmly to the player's playing, it is true for strong picking such as stroke and cutting that scribbles, and conversely, there are aspects that are not good at ballad arpeggios.
Even if you play it strongly, there is no extra low mid, so it does not disturb the vocal, and even if it is mixed with the ensemble, it is difficult to wear the base band, so I recommend the B-25 if you are asked for a recommended Akogi for live. 。
It is just 60 years since its birth, and the shadow is a little thin compared to the J-45 and J-50, but in Japan, famous artists such as Tamio Okuda, Sugashikao, Gen Hoshino, and Kana Uemura have used the B-25. The B-25 is a guitar that is so attractive that it cannot be talked about with the mere J-45 sub.
One of the characteristics of this individual of 1968 is that you can feel a slightly wet ingredient with a light feeling like the B-25 of this age.
In addition, the saddle has been changed to one of our original cocobolo, and I get the impression that I am working at a price in such aspects.
The paint contains a good feeling, and the coating is thin, so you can feel that the whole wood is vibrating.
The condition of the neck and Kibe is inspected and adjusted by an acoustic guitar professional craftsman, and all parts are good.
The neck is adjusted straight and has no vibration or clogging, and the string height on the 12th fret is set to 2.2 mm on the 6 string side and 1.7 mm on the first string side.
It is our shop's best individual.
[SPEC.]
TOP: Solid Spruce
Back/Sides: Solid Mahogany
Neck: Mahogany
Fingerboard/Bridge: Brazilian Rosewood
Scale: 628mm
Nut-Width: 40.0mm
Weight: 1.95kg
Case: NON ORIGINAL SOFTSHELL CASE
* 5 years premium adjustment guarantee
* All parts are disassembled and cleaned.
[Safe service when using mail order]
Please try it slowly in your home environment for 6 days after the product arrives.
Even if you say that it is different from the sound you thought, if you can contact us within the period, we will pay only the round -trip shipping fee and we will refund the product price in full.
It is very popular for those who are difficult to visit the store, so I hope you can use it.
______________________________
Please note that all items are for sale in our Tokyo store.
There is a chance they might be sold out. All items are shipped tracked and insured. All import duties or customs fees are the buyers responsibility - please be aware of the requirements for your country. If you have any questions please ask.
Instrument sold
TCGAKKI, Japan 
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Used&Vintage Guitars, Acoustic Guitars, Bass, Effect Pedals, and more.
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